navigate left
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

Elysian Fields; Nue Couchée, 1975

Sugar-lift aquatint printed in colours
11 9/10 × 18 1/10 in
30.3 × 46 cm
Edition of 100
Bidding closed
Want to sell a work by this artist? Learn more.
About the work
FA
Forum Auctions

signed in pencil, a proof aside from the edition of 100, on Arches wove paper, with full margins, …

Read more

signed in pencil, a proof aside from the edition of 100, on Arches wove paper, with full margins, sheet, 504 x 657 (19 7/8 x 25 7/8in); together with a lithograph printed in colours, 1967, signed in pencil, a proof aside from the edition of 25, on Arches wove paper, printed by Pierre Chave, Vence, with full margins, …

Read more
Dorothea Tanning
American, 1910–2012
Follow

An active artist for nearly 70 years, Dorothea Tanning began her career as a Surrealist, later …

Read more

An active artist for nearly 70 years, Dorothea Tanning began her career as a Surrealist, later moving away from the movement to create the raw and prismatic merging of color planes she called “Insomnias”. Tanning’s earlier works, like Fatala (1947), are heavily representational, favoring strong line, shading, and …

Read more
navigate left
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
FA
Forum Auctions

signed in pencil, a proof aside from the edition of 100, on Arches wove paper, with full margins, …

Read more

signed in pencil, a proof aside from the edition of 100, on Arches wove paper, with full margins, sheet, 504 x 657 (19 7/8 x 25 7/8in); together with a lithograph printed in colours, 1967, signed in pencil, a proof aside from the edition of 25, on Arches wove paper, printed by Pierre Chave, Vence, with full margins, …

Read more
Dorothea Tanning
American, 1910–2012
Follow

An active artist for nearly 70 years, Dorothea Tanning began her career as a Surrealist, later …

Read more

An active artist for nearly 70 years, Dorothea Tanning began her career as a Surrealist, later moving away from the movement to create the raw and prismatic merging of color planes she called “Insomnias”. Tanning’s earlier works, like Fatala (1947), are heavily representational, favoring strong line, shading, and …

Read more

Elysian Fields; Nue Couchée, 1975

Sugar-lift aquatint printed in colours
11 9/10 × 18 1/10 in
30.3 × 46 cm
Edition of 100
Bidding closed
Want to sell a work by this artist? Learn more.
Other works by Dorothea Tanning
Related works
Most Similar
Surrealism