Dorothea Tanning, ‘Lettre d'Amour (Love Letter)’, 1969, Thomas French Fine Art

This work is after a famous painting of the same titled executed in 1948, now in the Collection of Kent Belenius, Stockholm.

Regarding this image, Tanning writes: “If he ventured outside of me, he knew he had not to lock the door. At these rare times we wrote letters, daily. They brought a different charm into the house, they mocked the opaque background of absence. They said things we never said out loud.”

Image/Plate: 14 x 16 1/4", Sheet: 20 x 26"

Condition: Slight handling creases top right margin. Does not effect the image. 2 pin sized rust spots upper and left margin which do not effect image. Deckled Edges

Signature: Signed and editioned in pencil

not in Tanning/Wadell

About Dorothea Tanning

An active artist for nearly 70 years, Dorothea Tanning began her career as a Surrealist, later moving away from the movement to create the raw and prismatic merging of color planes she called “Insomnias”. Tanning’s earlier works, like Fatala (1947), are heavily representational, favoring strong line, shading, and linear perspective. In the 1950s, she began to reveal new overriding preoccupations with luminous color and energy, as in Midi et demi (Half past noon) (1957), a quietly energetic composition with only the vaguest hints of figures. Tanning, who was influenced by Marcel Duchamp, Man Ray, and Max Ernst, to whom she was married, turned increasingly to experimental styles as her career progressed, such as soft cloth sculpture and installation, fusing the two for one of her first installation pieces, “Hotel de Pavot 202” (1971), without fully abandoning a surrealistic aesthetic. Late in her career she worked as a poet and memoirist.

American, 1910-2012, Galesburg, Illinois, based in New York & Paris

Group Shows

2017
Des Moines Art Center, 
Des Moines, IA, USA,
THE IRRATIONAL AND THE MARVELOUS