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Doug Argue, ‘White on Black’, 2012, Heritage Auctions
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Doug Argue

White on Black, 2012

Gouache on board
24 × 30 in
61 × 76.2 cm
Bidding closed
About the work
Provenance
HA
Heritage Auctions

Condition Report: Unframed, no visible condition issues. Artist notes on the back that the surface …

Medium
Painting
Signature
Signed: Doug Argue in ink on verso
Image rights
Courtesy of Heritage Auctions
Doug Argue
American, b. 1962
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Known for using thousands of individual letters to create immersive large-scale paintings, Doug Argue works from the idea that “letters, like atoms and chromosomes, are basic building blocks that can be taken apart and constructed in new ways.” His imagery is granular, evoking primordial evolution and celestial matter, as in Genesis (2007), where a deep central vanishing point gives the impression of warping through outer space, a dynamism “meant to be physically experienced.” Describing the process behind the work, Argue said: “I took letters from the book of Genesis and after distorting them in Photoshop, put them back together into a big bang. The shifting cosmologies of time past and time present filled with myth and reality feels a bit like the world I live in.”

Doug Argue, ‘White on Black’, 2012, Heritage Auctions
Save
Save
View
View in room
Share
Share
About the work
Provenance
HA
Heritage Auctions

Condition Report: Unframed, no visible condition issues. Artist notes on the back that the surface is fragile.

Medium
Painting
Signature
Signed: Doug Argue in ink on verso
Image rights
Courtesy of Heritage Auctions
Doug Argue
American, b. 1962
Follow

Known for using thousands of individual letters to create immersive large-scale paintings, Doug Argue works from the idea that “letters, like atoms and chromosomes, are basic building blocks that can be taken apart and constructed in new ways.” His imagery is granular, evoking primordial evolution and celestial matter, as in Genesis (2007), where a deep central vanishing point gives the impression of warping through outer space, a dynamism “meant to be physically experienced.” Describing the process behind the work, Argue said: “I took letters from the book of Genesis and after distorting them in Photoshop, put them back together into a big bang. The shifting cosmologies of time past and time present filled with myth and reality feels a bit like the world I live in.”

Doug Argue

White on Black, 2012

Gouache on board
24 × 30 in
61 × 76.2 cm
Bidding closed
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