Drew Leshko, ‘Jesus Saves (black)’, 2019, Drawing, Collage or other Work on Paper, Paper, enamel, pastel, inkjet prints, chain, tubing, Paradigm Gallery + Studio
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Drew Leshko

Jesus Saves (black), 2019

Paper, enamel, pastel, inkjet prints, chain, tubing
4 3/4 × 4 1/2 × 3/4 in
12.1 × 11.4 × 1.9 cm
.
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Location
Philadelphia
About the work
Medium
Drew Leshko
American, b. 1983
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By carving, cutting, and layering varieties of paper and wood, Philadelphia-based artist Drew Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three-dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale. The scale is familiar for some viewers as standard dollhouse specification, though the treatment to the buildings is widely different. The minute detail of his work includes city detritus such as dumpsters and pallets, which are commentary of the same ideas of what is worth preserving. Highlighting quick fixes and simple solutions, Leshko’s work begs the viewer to build their own ideas of why and when these changes had been made.

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Drew Leshko, ‘Jesus Saves (black)’, 2019, Drawing, Collage or other Work on Paper, Paper, enamel, pastel, inkjet prints, chain, tubing, Paradigm Gallery + Studio
Navigate right
Save
Save
View
View in room
Share
Share
About the work
Medium
Drew Leshko
American, b. 1983
Follow

By carving, cutting, and layering varieties of paper and wood, Philadelphia-based artist Drew Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three-dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale. The scale is familiar for some viewers as standard dollhouse specification, though the treatment to the buildings is widely different. The minute detail of his work includes city detritus such as dumpsters and pallets, which are commentary of the same ideas of what is worth preserving. Highlighting quick fixes and simple solutions, Leshko’s work begs the viewer to build their own ideas of why and when these changes had been made.

Drew Leshko

Jesus Saves (black), 2019

Paper, enamel, pastel, inkjet prints, chain, tubing
4 3/4 × 4 1/2 × 3/4 in
12.1 × 11.4 × 1.9 cm
.
Sold
Location
Philadelphia
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