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Duane Michals

Warren Beatty, 1965

Gelatin silver
4 7/8 × 7 1/8 in
12.4 × 18.1 cm
Bidding closed
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About the work
HA
Heritage Auctions

Condition Report: There do not appear to be any major condition issues; not examined out of the …

Read more

Condition Report: There do not appear to be any major condition issues; not examined out of the frame; framed under acrylic. Framed Dimensions 12.5 X 15 Inches.

Signature
Signed, titled, and dated in ink with the photographer's stamp in margin recto.
Image rights
Courtesy of Heritage Auctions
Duane Michals
American, b. 1932
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Duane Michals first garnered critical attention (both appreciative and caustic) for his unorthodox photographic practice in the 1960s and ’70s—a time when photojournalism was a dominating influence on the medium. In fact, the photographer David Seidner once wrote that “’Photographer’ is not exactly an apt title for [Michals]; ‘poet’ would be better suited.” Michals, who believed photographs presented fictions, staged narratives across a sequence of photographs, much like film stills, and presented photographs in conjunction with text. He also employed collage and used multiple exposures in creating his compositions, inspired in part by literature, poetry, philosophy, and artists like René Magritte, Robert Rauschenberg, and Joseph Cornell. Michals was also a commercial photographer for magazines Mademoiselle, Esquire, and Vogue.

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About the work
HA
Heritage Auctions

Condition Report: There do not appear to be any major condition issues; not examined out of the …

Read more

Condition Report: There do not appear to be any major condition issues; not examined out of the frame; framed under acrylic. Framed Dimensions 12.5 X 15 Inches.

Signature
Signed, titled, and dated in ink with the photographer's stamp in margin recto.
Image rights
Courtesy of Heritage Auctions
Duane Michals
American, b. 1932
Follow

Duane Michals first garnered critical attention (both appreciative and caustic) for his unorthodox photographic practice in the 1960s and ’70s—a time when photojournalism was a dominating influence on the medium. In fact, the photographer David Seidner once wrote that “’Photographer’ is not exactly an apt title for [Michals]; ‘poet’ would be better suited.” Michals, who believed photographs presented fictions, staged narratives across a sequence of photographs, much like film stills, and presented photographs in conjunction with text. He also employed collage and used multiple exposures in creating his compositions, inspired in part by literature, poetry, philosophy, and artists like René Magritte, Robert Rauschenberg, and Joseph Cornell. Michals was also a commercial photographer for magazines Mademoiselle, Esquire, and Vogue.

Duane Michals

Warren Beatty, 1965

Gelatin silver
4 7/8 × 7 1/8 in
12.4 × 18.1 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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