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Eberhard Havekost, ‘Glamour’, 2012, Galerie Sabine Knust
Eberhard Havekost, ‘Glamour’, 2012, Galerie Sabine Knust
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Glamour, 2012

Ditone Print
10 1/5 × 7 1/10 in
26 × 18 cm
Edition of 18
This is part of a limited edition set.
Under €1,000
Location
München, Munich
Have a question? Visit our help center.
About the work
Galerie Sabine Knust
München, Munich
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various titles, various sizes

various titles, various sizes

Medium
Print
Condition
Perfect condition
Signature
Hand-signed by artist
Eberhard Havekost
German, b. 1967
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Eberhard Havekost’s enigmatic, quasi-abstract paintings are based on tightly cropped, digitally altered photographs. Havekost’s approach is rooted in the painting process rather than a narrative impulse. Remaking the photographic fragments as larger paintings establishes a unique relationship between source material and end product—rather than a source for his subject matter, his photographs serve as a sort of sketch of an underlying structure, a launching point for a more improvisational practice. “The point of departure for my paintings is an emotional quality or a factuality,” Havekost explains. “In other words, something I can feel.”

Eberhard Havekost, ‘Glamour’, 2012, Galerie Sabine Knust
Eberhard Havekost, ‘Glamour’, 2012, Galerie Sabine Knust
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Galerie Sabine Knust
München, Munich
Follow

various titles, various sizes

various titles, various sizes

Medium
Print
Condition
Perfect condition
Signature
Hand-signed by artist
Eberhard Havekost
German, b. 1967
Follow

Eberhard Havekost’s enigmatic, quasi-abstract paintings are based on tightly cropped, digitally altered photographs. Havekost’s approach is rooted in the painting process rather than a narrative impulse. Remaking the photographic fragments as larger paintings establishes a unique relationship between source material and end product—rather than a source for his subject matter, his photographs serve as a sort of sketch of an underlying structure, a launching point for a more improvisational practice. “The point of departure for my paintings is an emotional quality or a factuality,” Havekost explains. “In other words, something I can feel.”

Glamour, 2012

Ditone Print
10 1/5 × 7 1/10 in
26 × 18 cm
Edition of 18
This is part of a limited edition set.
Under €1,000
Location
München, Munich
Have a question? Visit our help center.
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