Ed Ruscha, ‘Fans of the World’, 1982, Phillips
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Ed Ruscha

Fans of the World, 1982

Lithograph in colors, on Rives BFK paper, with full margins
37 × 31 7/10 in
94 × 80.6 cm
Edition 53/55 + 11AP
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
P
Phillips

Image: 24 1/2 x 24 1/2 in. (62.2 x 62.2 cm)
Sheet: 37 x 31 3/4 in. (94 x 80.6 cm)
Framed

Medium
Print
Signature
Signed, dated and numbered 53/55 in pencil (there were also 11 artist's proofs)
Publisher
Bernard Jacobson, Ltd., London
Ed Ruscha
American, b. 1937
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Despite being credited with a Pop sensibility, Ed Ruscha defies categorization with his diverse output of photographic books and tongue-in-cheek photo-collages, paintings, and drawings. Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los Angeles, which he often conveys by placing glib words and phrases from colloquial and consumerist usage atop photographic images or fields of color. Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and the pervasive cliches in pop culture, illustrated by his iconic 1979 painting I Don’t Want No Retro Spective. “You see this badly done on purpose, but the badly-done-on-purpose thing was done so well that it just becomes, let’s say, profound,” he once said. Equally renowned were his photographic books, in which he transferred the deadpan Pop style into series of images of LA—apartments, palm trees, or Twentysix Gasoline Stations (1962), his most famous work.

Ed Ruscha, ‘Fans of the World’, 1982, Phillips
Save
Save
View
View in room
Share
Share
About the work
Bibliography
P
Phillips

Image: 24 1/2 x 24 1/2 in. (62.2 x 62.2 cm)
Sheet: 37 x 31 3/4 in. (94 x 80.6 cm)
Framed

Medium
Print
Signature
Signed, dated and numbered 53/55 in pencil (there were also 11 artist's proofs)
Publisher
Bernard Jacobson, Ltd., London
Ed Ruscha
American, b. 1937
Follow

Despite being credited with a Pop sensibility, Ed Ruscha defies categorization with his diverse output of photographic books and tongue-in-cheek photo-collages, paintings, and drawings. Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los Angeles, which he often conveys by placing glib words and phrases from colloquial and consumerist usage atop photographic images or fields of color. Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and the pervasive cliches in pop culture, illustrated by his iconic 1979 painting I Don’t Want No Retro Spective. “You see this badly done on purpose, but the badly-done-on-purpose thing was done so well that it just becomes, let’s say, profound,” he once said. Equally renowned were his photographic books, in which he transferred the deadpan Pop style into series of images of LA—apartments, palm trees, or Twentysix Gasoline Stations (1962), his most famous work.

Ed Ruscha

Fans of the World, 1982

Lithograph in colors, on Rives BFK paper, with full margins
37 × 31 7/10 in
94 × 80.6 cm
Edition 53/55 + 11AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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