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Ed Ruscha, ‘Higher Standards/Lower Prices’, 2007, Gagosian
Ed Ruscha, ‘Higher Standards/Lower Prices’, 2007, Gagosian
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Higher Standards/Lower Prices, 2007

Acrylic on canvas
48 × 220 in
121.9 × 558.8 cm
Location
New York, Beverly Hills, San Francisco, London, Paris, Le Bourget, Geneva, Basel, Rome, Athens, Central, Hong Kong
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About the work
Gagosian
New York, Beverly Hills, +9 more
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Diptych, each canvas: 48 x 110 inches

Diptych, each canvas: 48 x 110 inches

Medium
Painting
Image rights
© Ed Ruscha. Courtesy Gagosian Gallery.
Ed Ruscha
American, b. 1937
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Despite being credited with a Pop sensibility, Ed Ruscha defies categorization with his diverse output of photographic books and tongue-in-cheek photo-collages, paintings, and drawings. Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los Angeles, which he often conveys by placing glib words and phrases from colloquial and consumerist usage atop photographic images or fields of color. Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and the pervasive cliches in pop culture, illustrated by his iconic 1979 painting I Don’t Want No Retro Spective. “You see this badly done on purpose, but the badly-done-on-purpose thing was done so well that it just becomes, let’s say, profound,” he once said. Equally renowned were his photographic books, in which he transferred the deadpan Pop style into series of images of LA—apartments, palm trees, or Twentysix Gasoline Stations (1962), his most famous work.

Ed Ruscha, ‘Higher Standards/Lower Prices’, 2007, Gagosian
Ed Ruscha, ‘Higher Standards/Lower Prices’, 2007, Gagosian
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Gagosian
New York, Beverly Hills, +9 more
Follow

Diptych, each canvas: 48 x 110 inches

Diptych, each canvas: 48 x 110 inches

Medium
Painting
Image rights
© Ed Ruscha. Courtesy Gagosian Gallery.
Ed Ruscha
American, b. 1937
Follow

Despite being credited with a Pop sensibility, Ed Ruscha defies categorization with his diverse output of photographic books and tongue-in-cheek photo-collages, paintings, and drawings. Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los Angeles, which he often conveys by placing glib words and phrases from colloquial and consumerist usage atop photographic images or fields of color. Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and the pervasive cliches in pop culture, illustrated by his iconic 1979 painting I Don’t Want No Retro Spective. “You see this badly done on purpose, but the badly-done-on-purpose thing was done so well that it just becomes, let’s say, profound,” he once said. Equally renowned were his photographic books, in which he transferred the deadpan Pop style into series of images of LA—apartments, palm trees, or Twentysix Gasoline Stations (1962), his most famous work.

Higher Standards/Lower Prices, 2007

Acrylic on canvas
48 × 220 in
121.9 × 558.8 cm
Location
New York, Beverly Hills, San Francisco, London, Paris, Le Bourget, Geneva, Basel, Rome, Athens, Central, Hong Kong
Want to sell a work by this artist? Consign with Artsy.
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