Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

Ed Ruscha

Statistical Significance, 1981

Pastel with footprints on paper
23 × 29 in
58.4 × 73.7 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
Bibliography
Provenance
P
Phillips

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Guaranteed …

Read more

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Guaranteed Property (see Conditions of Sale for further information)

Often described as the Los Angeles artist, Ed Ruscha’s prolific artistic output has become synonymous with the city’s solitary gas stations, road-side diners and …

Read more
Signature
Signed and dated 'Ed Ruscha '81' lower right
Ed Ruscha
American, b. 1937
Follow

Despite being credited with a Pop sensibility, Ed Ruscha defies categorization with his diverse output of photographic books and tongue-in-cheek photo-collages, paintings, and drawings. Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los Angeles, which he often conveys by placing glib words and phrases from colloquial and consumerist usage atop photographic images or fields of color. Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and the pervasive cliches in pop culture, illustrated by his iconic 1979 painting I Don’t Want No Retro Spective. “You see this badly done on purpose, but the badly-done-on-purpose thing was done so well that it just becomes, let’s say, profound,” he once said. Equally renowned were his photographic books, in which he transferred the deadpan Pop style into series of images of LA—apartments, palm trees, or Twentysix Gasoline Stations (1962), his most famous work.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
Provenance
P
Phillips

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Guaranteed …

Read more

Property Subject to VAT Section 4: 5% (see Conditions of Sale for further information)

Guaranteed Property (see Conditions of Sale for further information)

Often described as the Los Angeles artist, Ed Ruscha’s prolific artistic output has become synonymous with the city’s solitary gas stations, road-side diners and …

Read more
Signature
Signed and dated 'Ed Ruscha '81' lower right
Ed Ruscha
American, b. 1937
Follow

Despite being credited with a Pop sensibility, Ed Ruscha defies categorization with his diverse output of photographic books and tongue-in-cheek photo-collages, paintings, and drawings. Ruscha’s work is inspired by the ironies and idiosyncrasies of life in Los Angeles, which he often conveys by placing glib words and phrases from colloquial and consumerist usage atop photographic images or fields of color. Known for painting and drawing with unusual materials such as gunpowder, blood, and Pepto Bismol, Ruscha draws attention to the deterioration of language and the pervasive cliches in pop culture, illustrated by his iconic 1979 painting I Don’t Want No Retro Spective. “You see this badly done on purpose, but the badly-done-on-purpose thing was done so well that it just becomes, let’s say, profound,” he once said. Equally renowned were his photographic books, in which he transferred the deadpan Pop style into series of images of LA—apartments, palm trees, or Twentysix Gasoline Stations (1962), his most famous work.

Ed Ruscha

Statistical Significance, 1981

Pastel with footprints on paper
23 × 29 in
58.4 × 73.7 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Ed Ruscha
Related works
Most Similar