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Édouard Manet, ‘Guerre civile (Civil War)’, 1871, Blanton Museum of Art
Édouard Manet, ‘Guerre civile (Civil War)’, 1871, Blanton Museum of Art
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Édouard Manet

Guerre civile (Civil War), 1871

Crayon lithograph with scraping on chine appliqué
19 1/10 × 24 1/5 in
48.5 × 61.5 cm
Location
Austin
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About the work
Provenance
Medium
Print
Image rights
Courtesy Blanton Museum of Art
Édouard Manet
French, 1832–1883
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Although ridiculed in his day for inadequate linear perspective, lack of spirituality, and controversial subject matter, Édouard Manet is considered by many art historians to be the father of Modernism. Technically his paintings are remarkable for their loose brushstrokes, nuanced color, unusual cropping, and sense of light. His most famous and oft-satirized painting, Déjeuner sur l'herbe (1861) was rejected from the 1861 Salon for its shocking content: a nude woman enjoying a picnic with two fully clothed men, while a second nearly-nude woman bathes in a stream. In 1865, depressed by Paris’s response to his art, Manet traveled to Spain and studied the art of Diego Velázquez and Francisco de Goya. Ironically, within a year of his premature death, the École des Beaux-Arts, the officially sanctioned art school in Paris, held a huge exhibition of his paintings, pastels, drawings, and prints.

Édouard Manet, ‘Guerre civile (Civil War)’, 1871, Blanton Museum of Art
Édouard Manet, ‘Guerre civile (Civil War)’, 1871, Blanton Museum of Art
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Provenance
Medium
Print
Image rights
Courtesy Blanton Museum of Art
Édouard Manet
French, 1832–1883
Follow

Although ridiculed in his day for inadequate linear perspective, lack of spirituality, and controversial subject matter, Édouard Manet is considered by many art historians to be the father of Modernism. Technically his paintings are remarkable for their loose brushstrokes, nuanced color, unusual cropping, and sense of light. His most famous and oft-satirized painting, Déjeuner sur l'herbe (1861) was rejected from the 1861 Salon for its shocking content: a nude woman enjoying a picnic with two fully clothed men, while a second nearly-nude woman bathes in a stream. In 1865, depressed by Paris’s response to his art, Manet traveled to Spain and studied the art of Diego Velázquez and Francisco de Goya. Ironically, within a year of his premature death, the École des Beaux-Arts, the officially sanctioned art school in Paris, held a huge exhibition of his paintings, pastels, drawings, and prints.

Édouard Manet

Guerre civile (Civil War), 1871

Crayon lithograph with scraping on chine appliqué
19 1/10 × 24 1/5 in
48.5 × 61.5 cm
Location
Austin
Want to sell a work by this artist? Consign with Artsy.
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