Spanish Art History In a Nutshell
Signed, dated SAN SEBASTIAN 22-2-78, inscribed !AURRERA! and annotated with instructions to the printer in pencil, a bon à tirer impression printed by Editorial Gustavo Gili in 1978, before the edition of fifty published by Galerie Calart Actual, Geneva, 1983, the print cut out and collaged onto a support sheet; with an unrecorded woodcut by the same hand printed verso.
Block 290 x 310 mm., Sheet 600 x 575 mm.
Christie's Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Koelen 78008, p. 350-351
Editorial Gustavo Gili, Barcelona.
One of Spain’s most celebrated sculptors, Eduardo Chillida achieved international recognition with works exhibited at the Venice Biennale in 1958. Chillida forged monumental abstract forms in iron and granite, often for public spaces, as well as producing a body of etchings, lithographs, and woodcuts. His sculptures are distinguished by their geometric and curvilinear forms, as well as their combined qualities of movement and tension. Chillida is known to have had a craftsman’s intimacy with his material, often playing a hands-on role in the production of his works; with a team of blacksmiths, the artist would usually coat his metal with an alloy to create rust as it oxidized. Chillida, who expressed an affinity with the philosopher Martin Heidegger’s interest in humanity’s relationship to space, once said, “My whole work is a journey of discovery in space.”
Spanish, 1924-2002, San Sebastian, Spain