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B.A.S.H, 1971

Screenprint
29 3/10 × 19 1/2 in
74.5 × 49.5 cm
Edition of 3000
This is part of a limited edition set.
£950
Ships from Uppingham, GB
Shipping: £20 domestic, £80 rest of world
VAT included in price
location
Uppingham
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Have a question? Read our FAQ or ask a specialist.
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About the work
Goldmark Gallery
Uppingham
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Please note the edition number in the image may differ from the one received.
Original signed and …

Read more

Please note the edition number in the image may differ from the one received.
Original signed and numbered screenprint with collage.
Dorothea Leonhart, Munich blindstamp lower left.
A special screenprint and collage in an edition of 3000, published to commemorate Paolozzi's Retrospective at the Tate Gallery, London …

Read more
Medium
Print
Condition
Excellent
Signature
Hand-signed by artist, signed at bottom of page.
Certificate of authenticity
Not included
Frame
Included
Eduardo Paolozzi
Scottish, 1924–2005
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Fascinated by modern machines and technology, Eduardo Paolozzi produced graphic art, collages, pottery, films, mosaics, and sculptures inspired by industrial engineering. His early bronze sculptures of anguished human figures incorporated impressions made by machines as well as found objects, synthesizing them to evoke new associations. This later developed into a new process of piecing together works from prefabricated aluminum and brass casting molds; the resulting geometric human forms have often been described as “totems for the technological age.” Crucially, Paolozzi came to embrace technology rather than perceiving it as a demon to be feared, and wrote and lectured extensively on how popular culture and science should inform sculpture. He is often cited as an important exponent of Surrealism in Great Britain, as well as an influence on Pop Art.

Save
Save
view
View in room
share
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Save
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view
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About the work
Goldmark Gallery
Uppingham
Follow

Please note the edition number in the image may differ from the one received.
Original signed and …

Read more

Please note the edition number in the image may differ from the one received.
Original signed and numbered screenprint with collage.
Dorothea Leonhart, Munich blindstamp lower left.
A special screenprint and collage in an edition of 3000, published to commemorate Paolozzi's Retrospective at the Tate Gallery, London …

Read more
Medium
Print
Condition
Excellent
Signature
Hand-signed by artist, signed at bottom of page.
Certificate of authenticity
Not included
Frame
Included
Eduardo Paolozzi
Scottish, 1924–2005
Follow

Fascinated by modern machines and technology, Eduardo Paolozzi produced graphic art, collages, pottery, films, mosaics, and sculptures inspired by industrial engineering. His early bronze sculptures of anguished human figures incorporated impressions made by machines as well as found objects, synthesizing them to evoke new associations. This later developed into a new process of piecing together works from prefabricated aluminum and brass casting molds; the resulting geometric human forms have often been described as “totems for the technological age.” Crucially, Paolozzi came to embrace technology rather than perceiving it as a demon to be feared, and wrote and lectured extensively on how popular culture and science should inform sculpture. He is often cited as an important exponent of Surrealism in Great Britain, as well as an influence on Pop Art.

B.A.S.H, 1971

Screenprint
29 3/10 × 19 1/2 in
74.5 × 49.5 cm
Edition of 3000
This is part of a limited edition set.
£950
Ships from Uppingham, GB
Shipping: £20 domestic, £80 rest of world
VAT included in price
location
Uppingham
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Have a question? Read our FAQ or ask a specialist.
Want to sell a work by this artist? Consign with Artsy.
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