On Dover Street, “This is Today” Looks Back at Last Century’s Visions of Tomorrow
Artist's proof, outside the edition of 350. Signed, numbered and dated on the title page: Eduardo Paolozzi A/P 1965-1970, as well as few signed at the bottom: Eduardo Paolozzi. Also each with the printed signature, title and date, as well as the title of each image on the reverse. Varying image sizes on varying papers 38 x 25.4 cm. Published by Alecto, London. Printed by Richard Davis, London and Alecto Studios, London. In original case. Complete.
Image rights: Courtesy Koller Auktionen.
Fascinated by modern machines and technology, Eduardo Paolozzi produced graphic art, collages, pottery, films, mosaics, and sculptures inspired by industrial engineering. His early bronze sculptures of anguished human figures incorporated impressions made by machines as well as found objects, synthesizing them to evoke new associations. This later developed into a new process of piecing together works from prefabricated aluminum and brass casting molds; the resulting geometric human forms have often been described as “totems for the technological age.” Crucially, Paolozzi came to embrace technology rather than perceiving it as a demon to be feared, and wrote and lectured extensively on how popular culture and science should inform sculpture. He is often cited as an important exponent of Surrealism in Great Britain, as well as an influence on Pop Art.
Scottish, 1924-2005, Leith, United Kingdom, based in London, United Kingdom