Eduardo Paolozzi, ‘Standing Figure’, 1956, Print, Lithograph, Dallas Museum of Art
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Eduardo Paolozzi

Standing Figure, 1956

Lithograph
19 1/2 × 8 in
49.5 × 20.3 cm
Location
Dallas
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Medium
Image rights
© Eduardo Paolozzi / Artists Rights Society (ARS), New York / DACS, London
Eduardo Paolozzi
Scottish, 1924–2005
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Fascinated by modern machines and technology, Eduardo Paolozzi produced graphic art, collages, pottery, films, mosaics, and sculptures inspired by industrial engineering. His early bronze sculptures of anguished human figures incorporated impressions made by machines as well as found objects, synthesizing them to evoke new associations. This later developed into a new process of piecing together works from prefabricated aluminum and brass casting molds; the resulting geometric human forms have often been described as “totems for the technological age.” Crucially, Paolozzi came to embrace technology rather than perceiving it as a demon to be feared, and wrote and lectured extensively on how popular culture and science should inform sculpture. He is often cited as an important exponent of Surrealism in Great Britain, as well as an influence on Pop Art.

Eduardo Paolozzi, ‘Standing Figure’, 1956, Print, Lithograph, Dallas Museum of Art
Save
Save
View
View in room
Share
Share
Medium
Image rights
© Eduardo Paolozzi / Artists Rights Society (ARS), New York / DACS, London
Eduardo Paolozzi
Scottish, 1924–2005
Follow

Fascinated by modern machines and technology, Eduardo Paolozzi produced graphic art, collages, pottery, films, mosaics, and sculptures inspired by industrial engineering. His early bronze sculptures of anguished human figures incorporated impressions made by machines as well as found objects, synthesizing them to evoke new associations. This later developed into a new process of piecing together works from prefabricated aluminum and brass casting molds; the resulting geometric human forms have often been described as “totems for the technological age.” Crucially, Paolozzi came to embrace technology rather than perceiving it as a demon to be feared, and wrote and lectured extensively on how popular culture and science should inform sculpture. He is often cited as an important exponent of Surrealism in Great Britain, as well as an influence on Pop Art.

Eduardo Paolozzi

Standing Figure, 1956

Lithograph
19 1/2 × 8 in
49.5 × 20.3 cm
Location
Dallas
Want to sell a work by this artist? Consign with Artsy.
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