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Edvard Munch, ‘Self-Portrait. Between the Clock and the Bed’, 1940-1943, Munch Museum
Edvard Munch, ‘Self-Portrait. Between the Clock and the Bed’, 1940-1943, Munch Museum
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Edvard Munch

Self-Portrait. Between the Clock and the Bed, 1940-1943

Oil on canvas
58 9/10 × 47 2/5 in
149.5 × 120.5 cm
Location
Oslo
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About the work
Exhibition history
Munch Museum
Oslo

Collection: Munch Museum, Oslo

Collection: Munch Museum, Oslo

Medium
Painting
Image rights
© Munchmuseet
Edvard Munch
Norwegian, 1863–1944
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A recognized forerunner of Expressionism, Norwegian painter and printmaker Edvard Munch is renowned for his representations of emotion. Associated with the international development of Symbolism, Munch experimented with many different themes, palettes, and styles of drawing. Though stylistically influenced by Paul Gauguin and the Nabis, Munch’s subjects are drawn from his Scandinavian roots and his own tortured psyche. His most famous painting, The Scream (1893), illustrates a tormented cry translated into waves of color that resonate across the landscape. Though based on Munch’s own experience, The Scream has become an instantly recognizable symbol of anxiety and alienation. Often reworking his paintings into etchings and lithographs, Munch was also one of the major graphic artists of the 20th century—he took an experimental approach to printmaking and contributed to the revival of the woodcut.

Edvard Munch, ‘Self-Portrait. Between the Clock and the Bed’, 1940-1943, Munch Museum
Edvard Munch, ‘Self-Portrait. Between the Clock and the Bed’, 1940-1943, Munch Museum
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Munch Museum
Oslo

Collection: Munch Museum, Oslo

Collection: Munch Museum, Oslo

Medium
Painting
Image rights
© Munchmuseet
Edvard Munch
Norwegian, 1863–1944
Follow

A recognized forerunner of Expressionism, Norwegian painter and printmaker Edvard Munch is renowned for his representations of emotion. Associated with the international development of Symbolism, Munch experimented with many different themes, palettes, and styles of drawing. Though stylistically influenced by Paul Gauguin and the Nabis, Munch’s subjects are drawn from his Scandinavian roots and his own tortured psyche. His most famous painting, The Scream (1893), illustrates a tormented cry translated into waves of color that resonate across the landscape. Though based on Munch’s own experience, The Scream has become an instantly recognizable symbol of anxiety and alienation. Often reworking his paintings into etchings and lithographs, Munch was also one of the major graphic artists of the 20th century—he took an experimental approach to printmaking and contributed to the revival of the woodcut.

Edvard Munch

Self-Portrait. Between the Clock and the Bed, 1940-1943

Oil on canvas
58 9/10 × 47 2/5 in
149.5 × 120.5 cm
Location
Oslo
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
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Other works by Edvard Munch
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