Edward Burtynsky, ‘Silver Lake Operations #12, Lake Lefroy, Western Australia’, 2007, Phillips

39 x 49 in. (99.1 x 124.5 cm)
Overall 50 x 60 in. (127 x 152.4 cm)

Signature: Signed in ink, printed credit, title, date and number 7/9 on a label affixed to the reverse of the flush-mount.

Western Australia Museum, Edward Burtynsky: Australian Minescapes, p. 67
Flowers Gallery, Australian Minescapes: Edward Burtynsky, n.p.
'Edward Burtynsky: Beaute Coupable,' Azart Photographie, September 2010, pp. 76-83, for text and image
McCusker, 'An Uneasy Contradiction: Surveying the career of Edward Burtynsky,' Color, July 2010, p. 44
Muller-Pohle, 'European Photography,' The International Art Magazine For Contemporary Photography, 2009, pp. 18-19, for text and image

Acquired directly from the artist

About Edward Burtynsky

Edward Burtynsky’s large-format color photographs document the ramifications of human industry on the natural world in a perversely beautiful manner. Bold swathes of color and rich texture render his images of mines, industrial refineries, shipbreaking yards, and other scarred landscapes from Detroit to Bangladesh, painterly. “Dryland Farming” (2011), an aerial series exploring how humans reshape natural topography through farming in a semi-arid, remote region of northern Spain, evokes abstract painting; seeing the colors and shapes from 2,000 feet above reminded the artist of Pablo Picasso’s Guernica (1937). Burtynsky intends his work to spark “a second look at what we call progress,” which has won him acclaim as an environmental champion as well as an artist; he received a TED Prize in 2005 for producing images that “powerfully alter the way we think about the world and our place in it.”

Canadian, b. 1955, St. Catharines, Canada

Group Shows

Nicholas Metivier Gallery, 
BURTYNSKY/ SHAPIRO: Nature Abstracted
Nicholas Metivier Gallery, 
View Artist's CV