El Anatsui, ‘E-witness’, 2017, Axel Vervoordt Gallery
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El Anatsui

E-witness, 2017

Aluminium, bottle tops, roofing sheets and copper wire
98 2/5 × 90 3/5 in
250 × 230 cm
Contact For Price
Location
Wijnegem - Antwerp, Hong Kong
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El Anatsui
Ghanaian, b. 1944
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A critically acclaimed mixed-media artist, El Anatsui gained worldwide recognition in the early 2000s for his shimmering, monumental wall hangings, visual feasts rich with associations to Africa, Europe, and America. These expansive sheets, hung in undulating swags and blocky folds, are composed of countless bits of brightly colored metal, the salvaged caps of liquor bottles, which Anatsui and his team form into shapes, then link together with copper wire. A cross between painting, tapestry, and sculpture, the hangings grew out of his earlier investigations into re-purposing scrap materials, with their attendant cultural associations. “The link between Africa, Europe, and America is very much part of what is behind my work with bottle caps,” Anatsui explains, referencing the fraught connection between the sale of slaves and liquor, and the transformative power of his art to link everyone involved in its creation.

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El Anatsui, ‘E-witness’, 2017, Axel Vervoordt Gallery
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Save
Save
View
View in room
Share
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El Anatsui
Ghanaian, b. 1944
Follow

A critically acclaimed mixed-media artist, El Anatsui gained worldwide recognition in the early 2000s for his shimmering, monumental wall hangings, visual feasts rich with associations to Africa, Europe, and America. These expansive sheets, hung in undulating swags and blocky folds, are composed of countless bits of brightly colored metal, the salvaged caps of liquor bottles, which Anatsui and his team form into shapes, then link together with copper wire. A cross between painting, tapestry, and sculpture, the hangings grew out of his earlier investigations into re-purposing scrap materials, with their attendant cultural associations. “The link between Africa, Europe, and America is very much part of what is behind my work with bottle caps,” Anatsui explains, referencing the fraught connection between the sale of slaves and liquor, and the transformative power of his art to link everyone involved in its creation.

El Anatsui

E-witness, 2017

Aluminium, bottle tops, roofing sheets and copper wire
98 2/5 × 90 3/5 in
250 × 230 cm
Contact For Price
Location
Wijnegem - Antwerp, Hong Kong
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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