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Untitled, 1919-1920

Oil on canvas
31 3/10 × 19 1/2 in
79.6 × 49.6 cm
Location
New York
About the work
Guggenheim Museum
New York
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The Solomon R. Guggenheim Foundation Peggy Guggenheim Collection, Venice, 1976

The Solomon R. Guggenheim Foundation Peggy Guggenheim Collection, Venice, 1976

Medium
Painting
Image rights
© 2017 Artists Rights Society (ARS), New York
El Lissitzky
Russian, 1890–1941
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A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. Building on the philosophy of Kazimir Malevich and Suprematism, Lissitzky, Aleksandr Rodchenko, and the Constructivists sought to dedicate their art to the advancement of Soviet society. Lissitzky’s political poster Hit the Whites with the Red Wedge! is a seminal example of Constructivism, which employs allegorical geometric shapes and text to capture the Bolshevik ideology of progress, formalizing the rejection of established artistic traditions. Believing art to have the power to transform society, Lissitzky said, “Art can no longer be merely a mirror, it must act as the organizer of the people's consciousness.”

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About the work
Guggenheim Museum
New York
Follow

The Solomon R. Guggenheim Foundation Peggy Guggenheim Collection, Venice, 1976

The Solomon R. Guggenheim Foundation Peggy Guggenheim Collection, Venice, 1976

Medium
Painting
Image rights
© 2017 Artists Rights Society (ARS), New York
El Lissitzky
Russian, 1890–1941
Follow

A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. Building on the philosophy of Kazimir Malevich and Suprematism, Lissitzky, Aleksandr Rodchenko, and the Constructivists sought to dedicate their art to the advancement of Soviet society. Lissitzky’s political poster Hit the Whites with the Red Wedge! is a seminal example of Constructivism, which employs allegorical geometric shapes and text to capture the Bolshevik ideology of progress, formalizing the rejection of established artistic traditions. Believing art to have the power to transform society, Lissitzky said, “Art can no longer be merely a mirror, it must act as the organizer of the people's consciousness.”

Untitled, 1919-1920

Oil on canvas
31 3/10 × 19 1/2 in
79.6 × 49.6 cm
Location
New York
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