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Elad Lassry

Man (Maid), 2012

Silver gelatin prints, aluminium frames
8 1/2 × 10 1/2 × 1 1/2 in
21.6 × 26.7 × 3.8 cm
Edition of 3
This is part of a limited edition set.
Contact For Price
location
London, Hong Kong
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
About the work
Image rights
Elad Lassry, 'Man (Maid)', 2012 © Elad Lassry (work must be cropped to outer edge of frame for any reproduction, therefore including … Read more
Elad Lassry
Israeli, b. 1977
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Elad Lassry has built his career around pictures, exploring, in his own images, their construction, consumption, and narrative sway. He sees pictures as objects, crafted to convey specific messages. Describing his work, comprised of photographs, prints, found images, films, and installations, color-saturated and full of flattened images, Lassry states: “My work started in the traditional form of photography—they were photographs, prints, or framed found images. But I think all along I was introducing a picture and asking for the image to open up and be looked at as an object.” Seductive and strange, his portraits, still lifes, and appropriated advertisements are never what they seem. Full of improbabilities—impossible space, double exposures, subtle blurring—they disrupt seamless viewing, challenging our passive intake of images to question how we see, and how we are shaped by what we see.

Save
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share
Share
Save
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share
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About the work
Image rights
Elad Lassry, 'Man (Maid)', 2012 © Elad Lassry (work must be cropped to outer edge of frame for any reproduction, therefore including … Read more
Elad Lassry
Israeli, b. 1977
Follow

Elad Lassry has built his career around pictures, exploring, in his own images, their construction, consumption, and narrative sway. He sees pictures as objects, crafted to convey specific messages. Describing his work, comprised of photographs, prints, found images, films, and installations, color-saturated and full of flattened images, Lassry states: “My work started in the traditional form of photography—they were photographs, prints, or framed found images. But I think all along I was introducing a picture and asking for the image to open up and be looked at as an object.” Seductive and strange, his portraits, still lifes, and appropriated advertisements are never what they seem. Full of improbabilities—impossible space, double exposures, subtle blurring—they disrupt seamless viewing, challenging our passive intake of images to question how we see, and how we are shaped by what we see.

Elad Lassry

Man (Maid), 2012

Silver gelatin prints, aluminium frames
8 1/2 × 10 1/2 × 1 1/2 in
21.6 × 26.7 × 3.8 cm
Edition of 3
This is part of a limited edition set.
Contact For Price
location
London, Hong Kong
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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