Representational Painting

The artist explores make-up as a traditional mode of self-expression. As a woman, she uses make-up to find a representation of herself with which to face the world.

About Eleanor Antin

The core of Eleanor Antin’s performances, films, photographs, written texts, and installations is her wide cast of alter egos from both historic and contemporary times, who explore issues of age, race, sex, and class. As critic Kim Levin aptly said, by “impersonating the past, Antin personalizes the issues and dilemmas of the present.” Antin began creating Conceptual art in the 1960s, and in the ’70s became widely known for using then-unconventional narrative forms in her artwork, such as autobiography and impersonation, always with a transgressive, deadpan humor. One of her most famous characters was Eleanora Antinova—an imagined forgotten black ballerina from Sergei Diaghilev’s productions—as whom she has written a fictitious memoir and made films, drawings, and performances.

American, b. 1935, Bronx, New York, based in New York, New York

Solo Shows on Artsy

Eleanor Antin: Passengers , Diane Rosenstein, Los Angeles

Group Shows on Artsy

Los Angeles to New York: The Dwan Gallery, 1959-1971, National Gallery of Art, Washington, D.C., Washington
SEVEN-ish, Seriously Funny, Pierogi, Brooklyn
Human Ecology 101, Ronald Feldman Fine Arts, New York
Labor Intensive, Ronald Feldman Fine Arts, New York
Unsparing Quality, Diane Rosenstein, Los Angeles