navigate left
navigate right
Save
Save
share
Share
Save
Save
share
Share

HAT, 1991

Color monotype over etching on J. B. Green paper
Edition 6/23
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
Provenance
D
Doyle

Published by ULAE, West Islip, New York and with their blindstamp, with full margins, framed.

7 1/2 …

Read more

Published by ULAE, West Islip, New York and with their blindstamp, with full margins, framed.

7 1/2 x 4 3/4 inches; 191 x 121 mm. Sheet 13 1/2 x 10 1/8 inches; 343 x 257 mm.

Medium
Print
Signature
Signed, dated, titled and numbered 6/23 in pencil
Elizabeth Murray
American, 1940–2007
Follow

Inspired by Abstract Expressionist Jackson Pollock’s work, as well as Pablo Picasso’s Cubist works, American painter Elizabeth Murray’s oeuvre span styles from a Minimalist use form and color to bold, cartoonish Surrealism. Her works push the boundaries of a two-dimensional medium; the irregular triangles in the “Giant Maiden” series (1972) strain against the edges of canvases painted in high relief, while the explosive colors on an intricate collage-like canvas in Do the Dance (2005) lend the painting a kinetic, almost optical quality.

navigate left
navigate right
Save
Save
share
Share
Save
Save
share
Share
About the work
Provenance
D
Doyle

Published by ULAE, West Islip, New York and with their blindstamp, with full margins, framed.

7 1/2 …

Read more

Published by ULAE, West Islip, New York and with their blindstamp, with full margins, framed.

7 1/2 x 4 3/4 inches; 191 x 121 mm. Sheet 13 1/2 x 10 1/8 inches; 343 x 257 mm.

Medium
Print
Signature
Signed, dated, titled and numbered 6/23 in pencil
Elizabeth Murray
American, 1940–2007
Follow

Inspired by Abstract Expressionist Jackson Pollock’s work, as well as Pablo Picasso’s Cubist works, American painter Elizabeth Murray’s oeuvre span styles from a Minimalist use form and color to bold, cartoonish Surrealism. Her works push the boundaries of a two-dimensional medium; the irregular triangles in the “Giant Maiden” series (1972) strain against the edges of canvases painted in high relief, while the explosive colors on an intricate collage-like canvas in Do the Dance (2005) lend the painting a kinetic, almost optical quality.

HAT, 1991

Color monotype over etching on J. B. Green paper
Edition 6/23
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Elizabeth Murray