AR
Art Resource
New York
Medium
Image rights
Réunion des Musées Nationaux / Photo: Hervé Lewandowski / Art Resource, NY / Bernard, Emile (1868-1941) © ARS, NY

Émile Bernard was a writer and a painter who maintained mutually influential friendships with Paul Gauguin and Vincent van Gogh, though he argued passionately with both. Bernard was accepted as a pupil at the atelier of Fernand Cormon, but was expelled for insubordination. He and his close friend Louis Anquetin felt disillusioned with Pointillism and rejected Neo-Impressionism. Instead the two pioneered a new style, later termed Cloisonnism, with the idea that the painted line was the antithesis of the painted dot. This new painting methodology was defined by a use of flat colors and forms that were outlined by strong, black contours; it followed the legacies of Paul Cézanne, Japanese woodcuts, enamel work, and stained glass.

High auction record
$2m, Sotheby's, 2019
Collected by major museums
Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions
2020
Hill-Stone, Inc. at IFPDA Fine Art Print Fair Online Fall 2020Hill-Stone, Inc.
2019
Rhythm of lines and colours in French Avant-GardeStoppenbach & Delestre
2018
Paintings From AfarMusée du quai Branly
View all

Breton Women with Umbrellas, 1892

Oil on canvas
31 9/10 × 41 3/10 in
81 × 105 cm
Location
New York
Want to sell a work by this artist? Consign with Artsy.
AR
Art Resource
New York
Medium
Image rights
Réunion des Musées Nationaux / Photo: Hervé Lewandowski / Art Resource, NY / Bernard, Emile (1868-1941) © ARS, NY

Émile Bernard was a writer and a painter who maintained mutually influential friendships with Paul Gauguin and Vincent van Gogh, though he argued passionately with both. Bernard was accepted as a pupil at the atelier of Fernand Cormon, but was expelled for insubordination. He and his close friend Louis Anquetin felt disillusioned with Pointillism and rejected Neo-Impressionism. Instead the two pioneered a new style, later termed Cloisonnism, with the idea that the painted line was the antithesis of the painted dot. This new painting methodology was defined by a use of flat colors and forms that were outlined by strong, black contours; it followed the legacies of Paul Cézanne, Japanese woodcuts, enamel work, and stained glass.

High auction record
$2m, Sotheby's, 2019
Collected by major museums
Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
Other works by Émile Bernard
Related works
Related artists