Ernst Ludwig Kirchner, ‘Dancers at the Mary Wigman dance school in Dresden’, 1926, Fromkin Fine Art

Signature: With the Basel estate stamp and number on the verso

Galerie Henze & Ketterer AG, Wichtrach/Bern

Lothar Grisebach, Ernst Ludvig Kirchners Davoser Tagebuch, Stuttgart, 1997, S. 126.
Kirchners Olbild, Dancers of Mary Wigman (Gordon 839)
Nachlass Elkirchner, Basel estate stamp with hand written estate inventory # fs DA-Be 45 on the verso

Galerie Henze & Ketterer AG, Wichtrach/Bern, with sticker on verso
Private Collection, Rhineland

About Ernst Ludwig Kirchner

A leading figure in the early-20th-century German Expressionist group Die Brücke, Ernst Ludwig Kirchner produced paintings, prints, and sculptures that opposed the conventions of academic art. His nudes, landscapes, and scenes of urban life on the eve of World War I are known for their unsettling effects of psychological tension and eroticism, while his powerful, crudely executed black-and-white woodcuts illustrated many books and magazines, including Germany’s leading avant-garde periodical Der Sturm. Albrecht Dürer was a lifelong influence on Kirchner, but painters such as Edvard Munch and Vincent van Gogh, as well as African and Polynesian art, inspired his use of bright colors, simplified forms, and malevolent, mask-like faces. His art was labeled as “degenerate” by the Nazis in the 1930s, and he would commit suicide in 1937.

German, 1880-1938, Aschaffenburg, Germany, based in Dresden, Germany