Ernst Ludwig Kirchner, ‘Paar vor der Droschke (D. R188; Sch. R179; G. 655)’, 1914, Sotheby's

Property from the Collection of Catherine Woodard and Nelson Blitz, Jr.

Signed in pencil, one of only a few handprinted impressions (Gercken records seven impressions), on wove paper, framed.

plate: 247 by 207 mm 9 3/4 by 8 1/8 in
sheet: 462 by 395 mm 18 1/8 by 15 1/2 in

Guaranteed Property (see Conditions of Sale for further information)

From the Catalogue:
This impression cited in Gercken.
—Courtesy of Sotheby’s

About Ernst Ludwig Kirchner

A leading figure in the early-20th-century German Expressionist group Die Brücke, Ernst Ludwig Kirchner produced paintings, prints, and sculptures that opposed the conventions of academic art. His nudes, landscapes, and scenes of urban life on the eve of World War I are known for their unsettling effects of psychological tension and eroticism, while his powerful, crudely executed black-and-white woodcuts illustrated many books and magazines, including Germany’s leading avant-garde periodical Der Sturm. Albrecht Dürer was a lifelong influence on Kirchner, but painters such as Edvard Munch and Vincent van Gogh, as well as African and Polynesian art, inspired his use of bright colors, simplified forms, and malevolent, mask-like faces. His art was labeled as “degenerate” by the Nazis in the 1930s, and he would commit suicide in 1937.

German, 1880-1938, Aschaffenburg, Germany, based in Dresden, Germany