Eugène Delacroix, ‘Cheval sauvage terrassé par un tigre (Wild Horse Felled by a Tiger)’, 1828, Blanton Museum of Art
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Cheval sauvage terrassé par un tigre (Wild Horse Felled by a Tiger), 1828

Lithograph on chine collé
9 1/10 × 11 1/10 in
23 × 28.3 cm
Location
Austin
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About the work
Provenance
Medium
Print
Image rights
Courtesy Blanton Museum of Art
Eugène Delacroix
French, 1798–1863
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Romantic painter Eugène Delacroix was once described by the French poet Charles Baudelaire as “a volcanic crater artistically concealed beneath bouquets of flowers.” While drawing on Classical history and mythology—a favorite theme of Neoclassical artists—Delacroix was praised for his work’s spontaneity and power, vivid color, and pathos of movement. In Death of Sardanapalus (1827), figures and animals seem to writhe across the picture plane. Like Ingres, Delacroix was fascinated by the Orient, which includes present-day Turkey, Greece, and North Africa, visiting Morocco in 1832. Yet, instead of highlighting the seductive quality of his exotic subjects, Delacroix took an avid interest in the violence and cruelty in Oriental subjects. His lush palette and passionate brushwork would later greatly influence the development of both Impressionism and Post-Impressionism

Eugène Delacroix, ‘Cheval sauvage terrassé par un tigre (Wild Horse Felled by a Tiger)’, 1828, Blanton Museum of Art
Save
Save
View
View in room
Share
Share
About the work
Provenance
Medium
Print
Image rights
Courtesy Blanton Museum of Art
Eugène Delacroix
French, 1798–1863
Follow

Romantic painter Eugène Delacroix was once described by the French poet Charles Baudelaire as “a volcanic crater artistically concealed beneath bouquets of flowers.” While drawing on Classical history and mythology—a favorite theme of Neoclassical artists—Delacroix was praised for his work’s spontaneity and power, vivid color, and pathos of movement. In Death of Sardanapalus (1827), figures and animals seem to writhe across the picture plane. Like Ingres, Delacroix was fascinated by the Orient, which includes present-day Turkey, Greece, and North Africa, visiting Morocco in 1832. Yet, instead of highlighting the seductive quality of his exotic subjects, Delacroix took an avid interest in the violence and cruelty in Oriental subjects. His lush palette and passionate brushwork would later greatly influence the development of both Impressionism and Post-Impressionism

Cheval sauvage terrassé par un tigre (Wild Horse Felled by a Tiger), 1828

Lithograph on chine collé
9 1/10 × 11 1/10 in
23 × 28.3 cm
Location
Austin
Want to sell a work by this artist? Consign with Artsy.
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