Eva Hesse, ‘No title’, 1969-1970, Whitney Museum of American Art

Dimensions variable

Image rights: © Estate of Eva Hesse; courtesy Hauser & Wirth

"America is Hard to See"

Venue: Whitney Museum of American Art, New York (2015)

Whitney Museum of American Art, New York; purchase, with funds from Eli and Edythe L. Broad, the Mrs. Percy Uris Purchase Fund, and the Painting and Sculpture Committee 88.17ab

About Eva Hesse

One of the first to work with synthetic materials like fiberglass, latex, and plastic, Eva Hesse is best-known for her innovative sculptures, dubbed Postminimalist for the time and style in which they were made. Reacting to the rigidity and uniformity of Minimalism, Hesse’s sculptural forms appear soft, slack, and uneven, conveying a human sensibility. A pioneering feminist artist, Hesse desired, in her own words, to “challenge the norms of beauty and order.” Hesse’s painful childhood—having fled Nazi Germany followed by her mother's suicide—significantly impacted her artmaking, prompting close friend and art historian Lucy Lippard to describe Hesse’s work as a “materialization of her anxieties.” Hesse’s artistic engagement with her own psychology is apparent in her Spectre paintings, where she uses muted tones and a thick and gestural application of paint to create haunting pictures reminiscent of Munch.

American, 1936-1970, Hamburg, Germany, based in New York, New York

Solo Shows

Converging Lines: Eva Hesse & Sol LeWitt

Fair History on Artsy

Hauser & Wirth at TEFAF New York Spring 2018
Richard Gray Gallery at Expo Chicago 2015
Richard Gray Gallery at Art Basel 2015
Armand Bartos Fine Art at The Armory Show 2015
New York,
Armand Bartos Fine Art at The Armory Show 2013