Medium

Although continually shifting in subject matter, eX de Medici’s intricate watercolours form ongoing interrogations of the politics of power and the relationship between life and death. Beneath their beautiful ornamentations, themes of violence and destruction are orchestrated through the imagery of firearms, helmets and other military paraphernalia wreathed by organic detritus. This unique aesthetic draws from the artist’s background as a tattooist and recalls the vanitas tradition. De Medici’s miniaturist technique and technical virtuosity invites close examination through which the spectator becomes caught in a paradoxical vacillation between the beautiful and the repulsive.

In her recent watercolours, alive with nests of mobile phone towers, gas masks, clusters of surveillance cameras and rounds of “expanded ammunition”, the language of flower painting is juxtaposed against emblems of power and death. de Medici warns of the dangers of governmental control in an increasingly digitised world.

de Medici’s work is held in numerous public collections in Australia including the National Gallery of Australia, Canberra and most State Galleries. Selected solo exhibitions include, Smithereens, Sullivan+Strumpf Singapore (2018);Cold Blooded: eX de Medici, Drill Hall Gallery, Australian National University, Canberra (2013); eX de Medici, Urima University, Iran (2013); eX de Medici/Vexed Generation, Fashion Space Gallery, London College of Fashion, London, UK (2010); and Soft Steel, Heide Museum of Modern Art, Melbourne (2003).

Blue chip
Represented by internationally recognized galleries.
Selected exhibitions
2018
SmithereensSullivan+Strumpf
2016
Sullivan+Strumpf at Art Stage Singapore 2016Sullivan+Strumpf
2014
Sullivan+Strumpf at Art Basel in Hong Kong 2014Sullivan+Strumpf

Small Junk, 2015

Watercolour on paper
19 7/10 × 19 7/10 in
50 × 50 cm
Contact For Price
Location
Zetland, Sydney, Singapore
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Medium

Although continually shifting in subject matter, eX de Medici’s intricate watercolours form ongoing interrogations of the politics of power and the relationship between life and death. Beneath their beautiful ornamentations, themes of violence and destruction are orchestrated through the imagery of firearms, helmets and other military paraphernalia wreathed by organic detritus. This unique aesthetic draws from the artist’s background as a tattooist and recalls the vanitas tradition. De Medici’s miniaturist technique and technical virtuosity invites close examination through which the spectator becomes caught in a paradoxical vacillation between the beautiful and the repulsive.

In her recent watercolours, alive with nests of mobile phone towers, gas masks, clusters of surveillance cameras and rounds of “expanded ammunition”, the language of flower painting is juxtaposed against emblems of power and death. de Medici warns of the dangers of governmental control in an increasingly digitised world.

de Medici’s work is held in numerous public collections in Australia including the National Gallery of Australia, Canberra and most State Galleries. Selected solo exhibitions include, Smithereens, Sullivan+Strumpf Singapore (2018);Cold Blooded: eX de Medici, Drill Hall Gallery, Australian National University, Canberra (2013); eX de Medici, Urima University, Iran (2013); eX de Medici/Vexed Generation, Fashion Space Gallery, London College of Fashion, London, UK (2010); and Soft Steel, Heide Museum of Modern Art, Melbourne (2003).

Blue chip
Represented by internationally recognized galleries.
Selected exhibitions (3)
Other works by eX de Medici
Other works from Sullivan+Strumpf
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