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Fausto Melotti

Untitled, 1980

Tempera, pencil and contè pencil on paper
9 2/5 × 6 9/10 in
23.8 × 17.5 cm
Bidding closed
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About the work
Provenance
F
Finarte

Work registered with Fondazione Fausto Melotti, Milan n. T 80 013. …

Read more

Work registered with Fondazione Fausto Melotti, Milan n. T 80 013.

This lot is subject to Artists Resale Rights

Signature
Signed on the reverse: Melotti
Fausto Melotti
Italian, 1901–1986
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Working in an array of materials, including wood, wire, plaster, and ceramics, Fausto Melotti is known for creating curious Surrealist sculptures in which symbolic forms express what has been described as the “inner realms of human experience.” Melotti’s artistic career spanned the mid-20th century, and he is thought to have been influenced by fellow Italians Georgio de Chirico and Lucio Fontana, the latter a contemporary of Melotti’s at the Academia de Belle Arti di Brera in Milan. Melotti’s wire mobiles and “cages” have been compared, respectively, to the work of Alexander Calder and Alberto Giacometti. With their repeating motifs and rhythmic structures, these works also reflect Melotti’s strong interest in musical composition. Later in his career, Melotti’s work became increasingly figurative, a turn described by some critics as a postwar return to humanism.

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About the work
Provenance
F
Finarte

Work registered with Fondazione Fausto Melotti, Milan n. T 80 013. …

Read more

Work registered with Fondazione Fausto Melotti, Milan n. T 80 013.

This lot is subject to Artists Resale Rights

Signature
Signed on the reverse: Melotti
Fausto Melotti
Italian, 1901–1986
Follow

Working in an array of materials, including wood, wire, plaster, and ceramics, Fausto Melotti is known for creating curious Surrealist sculptures in which symbolic forms express what has been described as the “inner realms of human experience.” Melotti’s artistic career spanned the mid-20th century, and he is thought to have been influenced by fellow Italians Georgio de Chirico and Lucio Fontana, the latter a contemporary of Melotti’s at the Academia de Belle Arti di Brera in Milan. Melotti’s wire mobiles and “cages” have been compared, respectively, to the work of Alexander Calder and Alberto Giacometti. With their repeating motifs and rhythmic structures, these works also reflect Melotti’s strong interest in musical composition. Later in his career, Melotti’s work became increasingly figurative, a turn described by some critics as a postwar return to humanism.

Fausto Melotti

Untitled, 1980

Tempera, pencil and contè pencil on paper
9 2/5 × 6 9/10 in
23.8 × 17.5 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Fausto Melotti