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Fausto Melotti

untitled, ca. 1970

Etching and aquatint
20 1/10 × 15 7/10 in
51 × 40 cm
This is an editioned multiple.
€500
location
Milano
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
About the work
Signature
Hand-signed by artist, front, right
Certificate of authenticity
Included
Frame
Not included
Series
46/50 edition
Fausto Melotti
Italian, 1901–1986
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Working in an array of materials, including wood, wire, plaster, and ceramics, Fausto Melotti is known for creating curious Surrealist sculptures in which symbolic forms express what has been described as the “inner realms of human experience.” Melotti’s artistic career spanned the mid-20th century, and he is thought to have been influenced by fellow Italians Georgio de Chirico and Lucio Fontana, the latter a contemporary of Melotti’s at the Academia de Belle Arti di Brera in Milan. Melotti’s wire mobiles and “cages” have been compared, respectively, to the work of Alexander Calder and Alberto Giacometti. With their repeating motifs and rhythmic structures, these works also reflect Melotti’s strong interest in musical composition. Later in his career, Melotti’s work became increasingly figurative, a turn described by some critics as a postwar return to humanism.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Signature
Hand-signed by artist, front, right
Certificate of authenticity
Included
Frame
Not included
Series
46/50 edition
Fausto Melotti
Italian, 1901–1986
Follow

Working in an array of materials, including wood, wire, plaster, and ceramics, Fausto Melotti is known for creating curious Surrealist sculptures in which symbolic forms express what has been described as the “inner realms of human experience.” Melotti’s artistic career spanned the mid-20th century, and he is thought to have been influenced by fellow Italians Georgio de Chirico and Lucio Fontana, the latter a contemporary of Melotti’s at the Academia de Belle Arti di Brera in Milan. Melotti’s wire mobiles and “cages” have been compared, respectively, to the work of Alexander Calder and Alberto Giacometti. With their repeating motifs and rhythmic structures, these works also reflect Melotti’s strong interest in musical composition. Later in his career, Melotti’s work became increasingly figurative, a turn described by some critics as a postwar return to humanism.

Fausto Melotti

untitled, ca. 1970

Etching and aquatint
20 1/10 × 15 7/10 in
51 × 40 cm
This is an editioned multiple.
€500
location
Milano
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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