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Fernand Léger

Builders (builders with aloe), 1951

Oil on canvas
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About the work
Centre for Fine Arts (BOZAR)
Brussels
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Collection: The Pushkin State Museum of Fine Arts, Moscow

Collection: The Pushkin State Museum of Fine Arts, Moscow

Medium
Painting
Image rights
Courtesy of the Pushkin State Museum of Fine Arts, Moscow
Fernand Léger
French, 1881–1955
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Working in Paris during the height of Cubism, Fernand Léger’s iconic style, with its emphasis on primary colors and rounded, massive forms, has become informally regarded as “Tubism.” Even at their most abstract, Léger’s subjects are easier to recognize than the rigorous Cubist dissections of Pablo Picasso and Georges Braque, and the accessibility and contemporary subject matter of his works have led many to describe Léger as both populist and a forerunner of Pop Art. Interested in modern innovation, Léger joined the Puteaux Cubists, engaging with Robert Delaunay, Francis Picabia, and Jean Metzinger, among others. His interest in industry and machines was further encouraged by the Italian Futurist painters, and by his military service for France during World War I. While Léger would later revisit more traditional subjects—including the female nude, landscape and still life—these works retained his characteristically bold style.

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About the work
Centre for Fine Arts (BOZAR)
Brussels
Follow

Collection: The Pushkin State Museum of Fine Arts, Moscow

Collection: The Pushkin State Museum of Fine Arts, Moscow

Medium
Painting
Image rights
Courtesy of the Pushkin State Museum of Fine Arts, Moscow
Fernand Léger
French, 1881–1955
Follow

Working in Paris during the height of Cubism, Fernand Léger’s iconic style, with its emphasis on primary colors and rounded, massive forms, has become informally regarded as “Tubism.” Even at their most abstract, Léger’s subjects are easier to recognize than the rigorous Cubist dissections of Pablo Picasso and Georges Braque, and the accessibility and contemporary subject matter of his works have led many to describe Léger as both populist and a forerunner of Pop Art. Interested in modern innovation, Léger joined the Puteaux Cubists, engaging with Robert Delaunay, Francis Picabia, and Jean Metzinger, among others. His interest in industry and machines was further encouraged by the Italian Futurist painters, and by his military service for France during World War I. While Léger would later revisit more traditional subjects—including the female nude, landscape and still life—these works retained his characteristically bold style.

Fernand Léger

Builders (builders with aloe), 1951

Oil on canvas
Want to sell a work by this artist? Consign with Artsy.
Other works from Facing the Future: Art in Europe 1945-68
Other works by Fernand Léger
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