Created c. 1953, this color lithograph is hand signed by Fernand Léger (Argentan, 1881- Gif-sur-Yvette, 1955) in ink in the lower right margin and in the stone in black in the lower right of the image. This work is numbered from the edition of 250 in the lower left and is printed on Arches wove paper. Published by …

Medium
Condition
This work is in excellent condition.
Signature
Hand-signed by artist, Hand-signed by Fernand Leger in ink in the lower right margin. Also signed ’45 | F. Leger’ in the stone in black in …
Certificate of authenticity
Included

Working in Paris during the height of Cubism, Fernand Léger’s iconic style, with its emphasis on primary colors and rounded, massive forms, has become informally regarded as “Tubism.” Even at their most abstract, Léger’s subjects are easier to recognize than the rigorous Cubist dissections of Pablo Picasso and Georges Braque, and the accessibility and contemporary subject matter of his works have led many to describe Léger as both populist and a forerunner of Pop Art. Interested in modern innovation, Léger joined the Puteaux Cubists, engaging with Robert Delaunay, Francis Picabia, and Jean Metzinger, among others. His interest in industry and machines was further encouraged by the Italian Futurist painters, and by his military service for France during World War I. While Léger would later revisit more traditional subjects—including the female nude, landscape and still life—these works retained his characteristically bold style.

High auction record
US$70.1m, Christie's, 2017
Established
Represented by industry leading galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Tate Liverpool
Selected exhibitions
2018
Histoire(S) D'Une CollectionCentre Pompidou
CubismCentre Pompidou
Fernand Léger: New Times, New PleasuresTate Liverpool
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La Racine Grise (The Gray Root), ca. 1953

Color Lithograph
25 1/4 × 35 1/2 in
64.1 × 90.2 cm
.
Contact for Price
Location
Oakland
Certificate
This work includes a certificate of authenticity.
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Created c. 1953, this color lithograph is hand signed by Fernand Léger (Argentan, 1881- …

Medium
Condition
This work is in excellent condition.
Signature
Hand-signed by artist, Hand-signed by Fernand Leger in ink in the lower right margin. Also signed ’45 | F. Leger’ in the stone in black in …
Certificate of authenticity
Included

Working in Paris during the height of Cubism, Fernand Léger’s iconic style, with its emphasis on primary colors and rounded, massive forms, has become informally regarded as “Tubism.” Even at their most abstract, Léger’s subjects are easier to recognize than the rigorous Cubist dissections of Pablo Picasso and Georges Braque, and the accessibility and contemporary subject matter of his works have led many to describe Léger as both populist and a forerunner of Pop Art. Interested in modern innovation, Léger joined the Puteaux Cubists, engaging with Robert Delaunay, Francis Picabia, and Jean Metzinger, among others. His interest in industry and machines was further encouraged by the Italian Futurist painters, and by his military service for France during World War I. While Léger would later revisit more traditional subjects—including the female nude, landscape and still life—these works retained his characteristically bold style.

High auction record
US$70.1m, Christie's, 2017
Established
Represented by industry leading galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Tate Liverpool
Selected exhibitions (3)

Series by this artist

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