Fiona Banner, ‘Superhuman Nude’, 2011, Joanna Bryant & Julian Page

Only available as part of the complete framed set of 12 Official Prints from the London Olympic and Paralympic Games 2012: Anthea Hamilton - Divers, Martin Creed - Work No. 1273, Howard Hodgkin – Swimming, Bridget Riley – Rose Rose, Chris Ofili - For the Unknown Runner, Rachel Whiteread – LOndOn 2O12, Fiona Banner - Superhuman Nude, Michael Craig-Martin – GO, Tracey Emin - Birds 2012, Gary Hume – Capital, Sarah Morris - Big Ben 2012, Bob and Roberta Smith - LOVE.

Inkjet with one colour screen print and one glaze on 300gsm Somerset Photosatin paper.

Fiona Banner creates nude studies from life, transcribing physical scenarios into verbal descriptions. These 'wordscapes' define the shapes and forms of the body as well as fleeting moments such as the tension in a second of shared eye contact, or a nervous finger tapping. Banner's print is a nude study of a Paralympic athlete. The title alludes to the extraordinary physicality of this body. She focuses on strength and physicality but also on the fragility of a human awaiting competition. Banner says 'I liked the idea of comparing the athlete to a superhero, with some extraordinary prosthetic gift. Looking at an athlete naked made them powerful and vulnerable at once.

Since 1912, each Olympic Host City has commissioned one or more posters to celebrate the hosting of the Games. The official posters of the Games are now themselves a unique celebration of 100 years of the meeting of art and sport, and a body of iconic work has been created over the last century. For London 2012, a commissioning panel including Tate Director Sir Nicholas Serota invited 12 leading artists to create images, using the Olympic and Paralympic values or the city of London as inspiration. Each resulting artwork is a distinct interpretation of either the Olympic or Paralympic Games.

About Fiona Banner