Fiona Connor, ‘Fountain Guide Workshop’, 2013, CalArts Benefit

Connor draws on the legacy of institutional critique to create the installations, interventions, and other site-specific works for which she is known best. A new fixture in the L.A. art world, Connor’s recent projects include a lobby transformation at the Hammer Museum.

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All proceeds benefit CalArts. Check should be made payable to CalArts and sent to:

Attn: Laura Riggen
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About Fiona Connor

Fiona Connor thinks of her work as a constantly fluctuating response to the sites in which it’s exhibited. She is known for installing her pieces in a manner that draws attention to the space around them, intending to critically question the architectural and visual mechanisms that inform our interactions with art. In the past, Connor has filled a gallery with sculptural reproductions of its own walls, displayed in a museum an exact replica of its entrance stairs, or regularly rearranged an installation during the course of its exhibition. Connor has also utilized the contents and structures of other artists’ exhibitions as raw material for playing with the relationships between exhibition design, consumption, and perception.

New Zealander, b. 1981, Auckland, based in Los Angeles, California