Frances Barth, ‘Susie's Black Tomato II’, 1979, Pascal Fine Art
Frances Barth, ‘Susie's Black Tomato II’, 1979, Pascal Fine Art
Frances Barth, ‘Susie's Black Tomato II’, 1979, Pascal Fine Art
Frances Barth, ‘Susie's Black Tomato II’, 1979, Pascal Fine Art
Frances Barth, ‘Susie's Black Tomato II’, 1979, Pascal Fine Art
Frances Barth, ‘Susie's Black Tomato II’, 1979, Pascal Fine Art

Signature: Signed, Titled and Dated 1979 on the back of the painting

Exhibited at the Susan Caldwell Gallery New York, NY in 1980 along with "Susie's Black Tomato I"

Retaining Sue Caldwell Gallery and partial Janie C. Lee Gallery tags verso

About Frances Barth

Frances Barth creates radically abstract paintings that defy categorization and suggest narrative, holding mysteries that never fully resolve. “It’s not an overstatement to say that they suggest new possibilities for what abstract painting can encompass in the first part of the 21st century,” critic Karen Wilkin has written of Barth’s works. At once familiar and uncanny, Barth’s compositions fuse elements of diagrams, maps, models, and charts, their swaths of flat color interrupted by lively lines. “The weight of and association attached to every line is considered in exacting detail,” Barth says. “The idea for the painting is based on the premise that something that was there is no longer there.” For the past decade or so, the artist’s paintings have offered the gradual unfolding of an ambiguous, almost geological narrative; though always abstract, her delicate manipulation of color evokes distinct senses of light and place.

American, b. 1946