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Francis Bacon, ‘Portrait of Henrietta Moraes’, Christie's
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Francis Bacon

Portrait of Henrietta Moraes

Oil on canvas
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About the work
Exhibition history
Bibliography
Provenance
C
Christie's

Francis Bacon (1909-1992)

Portrait of Henrietta Moraes

titled, inscribed and dated ‘Portrait of …

Signature
Titled, inscribed and dated ‘Portrait of HENRIETTA MORAES From Photograph by JOHN DEAKIN 1963’ (on the reverse)
Francis Bacon
British, 1909–1992
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Francis Bacon was a dominant figure of postwar art, and his canvases remain unmistakable for their contorted emotion and visceral physicality. “I would like my pictures to look as if a human being had passed between them, like a snail leaving its trail of the human presence... as a snail leaves its slime,” he once said. Among his signature motifs were screaming and disfigured heads, grappling homosexual lovers, and flanks of meat, and his style is characterized by its flat backgrounds and sense of motion, derived from the frequent use of photography and film stills as sources for portraiture. Mostly self-taught, Bacon nonetheless drew influence from an impossibly wide range of artists, from Vincent van Gogh, Eadweard Muybridge, and filmmaker Sergei Eisenstein, to Rembrandt, Masaccio, Titian, and especially Diego Velázquez, making explicit visual references to many of their works in his paintings. His lasting influence can be seen in particular among Young British Artists such as Damien Hirst, Jenny Saville, and Jake and Dinos Chapman.

Francis Bacon, ‘Portrait of Henrietta Moraes’, Christie's
Save
Save
Share
Share
About the work
Exhibition history
Bibliography
Provenance
C
Christie's

Francis Bacon (1909-1992)

Portrait of Henrietta Moraes

titled, inscribed and dated ‘Portrait of HENRIETTA MORAES From Photograph by JOHN DEAKIN 1963’ (on the reverse)

oil on canvas

65 x 56 in. (165.1 x 142.2 cm.)

Painted in 1963.

Signature
Titled, inscribed and dated ‘Portrait of HENRIETTA MORAES From Photograph by JOHN DEAKIN 1963’ (on the reverse)
Francis Bacon
British, 1909–1992
Follow

Francis Bacon was a dominant figure of postwar art, and his canvases remain unmistakable for their contorted emotion and visceral physicality. “I would like my pictures to look as if a human being had passed between them, like a snail leaving its trail of the human presence... as a snail leaves its slime,” he once said. Among his signature motifs were screaming and disfigured heads, grappling homosexual lovers, and flanks of meat, and his style is characterized by its flat backgrounds and sense of motion, derived from the frequent use of photography and film stills as sources for portraiture. Mostly self-taught, Bacon nonetheless drew influence from an impossibly wide range of artists, from Vincent van Gogh, Eadweard Muybridge, and filmmaker Sergei Eisenstein, to Rembrandt, Masaccio, Titian, and especially Diego Velázquez, making explicit visual references to many of their works in his paintings. His lasting influence can be seen in particular among Young British Artists such as Damien Hirst, Jenny Saville, and Jake and Dinos Chapman.

Francis Bacon

Portrait of Henrietta Moraes

Oil on canvas
Want to sell a work by this artist? Consign with Artsy.
Series by this artist