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Francis Bacon

Three studies for a portrait of John Edwards, 1980

Photo-Lithograph
11 7/10 × 10 1/2 in
29.7 × 26.7 cm
This is part of a limited edition set.
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location
Zeist
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About the work
Provenance
Van der Vorst- Art
Zeist
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Francis Bacon- Three studies for a portrait of John Edwards
Three photo-lithographs in colours on …

Read more

Francis Bacon- Three studies for a portrait of John Edwards
Three photo-lithographs in colours on cardboard, 1980.
Each signed, titled, dated and inscribed with the panel number in felt tip pen on the reverse.
Size of cardboard, (3x): 29.7 x 26.7 cm.
Provenance;

  • John Edwards (1949-2003), London; then by descent.
Read more
Signature
All 3 panels are hand signed in felt tip pen.
Francis Bacon
British, 1909–1992
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Francis Bacon was a dominant figure of postwar art, and his canvases remain unmistakable for their …

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Francis Bacon was a dominant figure of postwar art, and his canvases remain unmistakable for their contorted emotion and visceral physicality. “I would like my pictures to look as if a human being had passed between them, like a snail leaving its trail of the human presence... as a snail leaves its slime,” he once …

Read more
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view
View in room
share
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view
View in room
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About the work
Provenance
Van der Vorst- Art
Zeist
Follow

Francis Bacon- Three studies for a portrait of John Edwards
Three photo-lithographs in colours on …

Read more

Francis Bacon- Three studies for a portrait of John Edwards
Three photo-lithographs in colours on cardboard, 1980.
Each signed, titled, dated and inscribed with the panel number in felt tip pen on the reverse.
Size of cardboard, (3x): 29.7 x 26.7 cm.
Provenance;

  • John Edwards (1949-2003), London; then by descent.
Read more
Signature
All 3 panels are hand signed in felt tip pen.
Francis Bacon
British, 1909–1992
Follow

Francis Bacon was a dominant figure of postwar art, and his canvases remain unmistakable for their …

Read more

Francis Bacon was a dominant figure of postwar art, and his canvases remain unmistakable for their contorted emotion and visceral physicality. “I would like my pictures to look as if a human being had passed between them, like a snail leaving its trail of the human presence... as a snail leaves its slime,” he once …

Read more

Francis Bacon

Three studies for a portrait of John Edwards, 1980

Photo-Lithograph
11 7/10 × 10 1/2 in
29.7 × 26.7 cm
This is part of a limited edition set.
Contact For Price
location
Zeist
Have a question? Read our FAQ.
Want to sell a work by this artist? Learn more.
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