An Intriguing Group Show Explores the Ethnic Identities of India’s Diaspora Artists
Signature: signed and dated 'Souza 62' (lower left); further numbered '7' (on the reverse); signed and dated 'Souza 62' (upper left); further numbered '5' (on the everse) signed and dated 'Souza 62' (center right); further numbered '6' (on the reverse)
Formerly from the Collection of Julian Sherrier
Francis Newton Souza was one of the first painters to achieve international recognition from a newly independent India, as well as a leading figure of its avant-garde movement. As a result of his time spent abroad, Souza’s style drew heavily from Expressionism and Art Brut. Often referred to as the “Indian Picasso”, Souza became known for his aggressive lines and thick application of color. He was fascinated with images of the sacred and the profane, and the boundary that divided them; his favorite subjects included the human figure, frequently depicted engaging in erotic acts and organized rituals of religion. Souza was also responsible for co-founding the Bombay Progressive Artists’ Group in 1947, which sought to encourage artists to depict Indian subject matter with Western Modernist styles.