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Francis Picabia

Udnie (Jeune fille américaine; danse) (Udnie [Young American Girl; Dance]), 1913

Oil on canvas
114 1/5 × 118 1/10 in
290 × 300 cm
Location
New York
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About the work
Exhibition history
Provenance
The Museum of Modern Art
New York
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Centre Pompidou, Musée national d’art moderne – Centre de création industrielle, Paris.

Centre Pompidou, Musée national d’art moderne – Centre de création industrielle, Paris.

Medium
Painting
Image rights
© 2016 Artist Rights Society (ARS), New York/ADAGP, Paris. Photo: © Centre Pompidou, MNAM-CCI/Georges Meguerdtchian/Dist. RMN–Grand … Read more
Francis Picabia
French, 1879–1953
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During his early career, Francis Picabia painted in the Impressionist style and exhibited at the Paris salons. However, from 1908 on, elements of Fauvism and Neo-Impressionism, as well as Cubism and other modes of abstraction, would appear in his work; he later joined the Puteaux Group, of which Guillaume Apollinaire, Robert Delaunay, and Marcel Duchamp were members. The year 1915 marked the beginning of Picabia’s “machinist” period, during which he produced works inspired by industrial developments, such as Machine turn quickly (1916–18) and his satirical drawing Universal Prostitution (1916), which was intended to take a jab at bourgeois sexuality. While in Barcelona in 1917, Picabia launched a Dada periodical titled 391 after Alfred Stieglitz’s periodical 291, though he eventually denounced Dada and returned to figurative painting. In the ’40s, his practice took a surprising turn as he began to paint nudes in the style of French glamour magazines, as in Femmes au bull-dog (1942). Picabia was a close friend of the famous art collector and writer Gertrude Stein.

Save
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View
View in room
Share
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Save
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View
View in room
Share
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About the work
Exhibition history
Provenance
The Museum of Modern Art
New York
Follow

Centre Pompidou, Musée national d’art moderne – Centre de création industrielle, Paris.

Centre Pompidou, Musée national d’art moderne – Centre de création industrielle, Paris.

Medium
Painting
Image rights
© 2016 Artist Rights Society (ARS), New York/ADAGP, Paris. Photo: © Centre Pompidou, MNAM-CCI/Georges Meguerdtchian/Dist. RMN–Grand … Read more
Francis Picabia
French, 1879–1953
Follow

During his early career, Francis Picabia painted in the Impressionist style and exhibited at the Paris salons. However, from 1908 on, elements of Fauvism and Neo-Impressionism, as well as Cubism and other modes of abstraction, would appear in his work; he later joined the Puteaux Group, of which Guillaume Apollinaire, Robert Delaunay, and Marcel Duchamp were members. The year 1915 marked the beginning of Picabia’s “machinist” period, during which he produced works inspired by industrial developments, such as Machine turn quickly (1916–18) and his satirical drawing Universal Prostitution (1916), which was intended to take a jab at bourgeois sexuality. While in Barcelona in 1917, Picabia launched a Dada periodical titled 391 after Alfred Stieglitz’s periodical 291, though he eventually denounced Dada and returned to figurative painting. In the ’40s, his practice took a surprising turn as he began to paint nudes in the style of French glamour magazines, as in Femmes au bull-dog (1942). Picabia was a close friend of the famous art collector and writer Gertrude Stein.

Francis Picabia

Udnie (Jeune fille américaine; danse) (Udnie [Young American Girl; Dance]), 1913

Oil on canvas
114 1/5 × 118 1/10 in
290 × 300 cm
Location
New York
Want to sell a work by this artist? Consign with Artsy.
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