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Francis Ruyter

Peckinpah, 1999

Screenprint in colors, on Moulin des Berger paper, with full margins
30 × 42 1/5 in
76.2 × 107.3 cm
Edition 30/60 + 10AP
This is part of a limited edition set.
Bidding closed
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About the work
P
Phillips

Image: 22 1/2 x 36 in. (57.2 x 91.4 cm)
Sheet: 30 x 42 1/4 in. (76.2 x 107.3 cm)
Framed

Image: 22 1/2 x 36 in. (57.2 x 91.4 cm)
Sheet: 30 x 42 1/4 in. (76.2 x 107.3 cm)
Framed

Signature
Signed, titled, dated `99' and numbered 30/60 in pencil (there were also 10 artist's proofs)
Publisher
Rouge Fine Art, Long Island City, New York
Francis Ruyter
American, b. 1968
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By depicting scenes of people engaging in commerce and leisure in public spaces, Francis Ruyter creates works that give viewers the voyeuristic sense of looking in. Ruyter uses paint and permanent marker to recreate images from photographs that he takes, evidence of his physical presence at each scene and a way for the artist to capture the intimate angles for which he is known. Ruyter’s figurative and landscape paintings are at once realistic and synthetic, painted in non-naturalistic colors on a flattened, emphatically two-dimensional canvas. By naming many of her works after the titles of films and books, such as Where the Sidewalk Ends (2011), a delicate forest scene, Ruyter places them within the context of cultural knowledge.

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Save
view
View in room
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view
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About the work
P
Phillips

Image: 22 1/2 x 36 in. (57.2 x 91.4 cm)
Sheet: 30 x 42 1/4 in. (76.2 x 107.3 cm)
Framed

Image: 22 1/2 x 36 in. (57.2 x 91.4 cm)
Sheet: 30 x 42 1/4 in. (76.2 x 107.3 cm)
Framed

Signature
Signed, titled, dated `99' and numbered 30/60 in pencil (there were also 10 artist's proofs)
Publisher
Rouge Fine Art, Long Island City, New York
Francis Ruyter
American, b. 1968
Follow

By depicting scenes of people engaging in commerce and leisure in public spaces, Francis Ruyter creates works that give viewers the voyeuristic sense of looking in. Ruyter uses paint and permanent marker to recreate images from photographs that he takes, evidence of his physical presence at each scene and a way for the artist to capture the intimate angles for which he is known. Ruyter’s figurative and landscape paintings are at once realistic and synthetic, painted in non-naturalistic colors on a flattened, emphatically two-dimensional canvas. By naming many of her works after the titles of films and books, such as Where the Sidewalk Ends (2011), a delicate forest scene, Ruyter places them within the context of cultural knowledge.

Francis Ruyter

Peckinpah, 1999

Screenprint in colors, on Moulin des Berger paper, with full margins
30 × 42 1/5 in
76.2 × 107.3 cm
Edition 30/60 + 10AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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