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Frank Stella

Black Series I, 1967

The complete set of nine lithographs, on J Barcham Green paper, with full margins, contained in the original black portfolio
15 × 22 in
38.1 × 55.9 cm
Edition 90/100 + 9AP
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
P
Phillips

All images: various sizes
All sheets: 15 x 22 in. (38.1 x 55.9 cm)

Including: Clinton Plaza; Arundel …

Read more

All images: various sizes
All sheets: 15 x 22 in. (38.1 x 55.9 cm)

Including: Clinton Plaza; Arundel Castle; Die Fahne Hoch!; Marriage of Reason and Squalor; Tomlinson Court Park; Getty Tomb; Arbeit Macht Frei; Club Onyx-Seven Steps; and Bethlehem's Hospital

Signature
All signed, dated and numbered 90/100 in pencil (there were also 9 artist's proofs)
Publisher
Gemini G.E.L., Los Angeles (with their blindstamps)
Frank Stella
American, b. 1936
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Frank Stella, an iconic figure of postwar American art, is considered the most influential painter of a generation that moved beyond Abstract Expressionism toward Minimalism. In his early work, Stella attempted to drain any external meaning or symbolism from painting, reducing his images to geometric form and eliminating illusionistic effects. His goal was to make paintings in which pictorial force came from materiality, not from symbolic meaning. He famously quipped, “What you see is what you see,” a statement that became the unofficial credo of Minimalist practice. In the 1980s and '90s, Stella turned away from Minimalism, adopting a more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs and sculptures based on Herman Melville’s Moby Dick.

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
Share
About the work
Bibliography
P
Phillips

All images: various sizes
All sheets: 15 x 22 in. (38.1 x 55.9 cm)

Including: Clinton Plaza; Arundel …

Read more

All images: various sizes
All sheets: 15 x 22 in. (38.1 x 55.9 cm)

Including: Clinton Plaza; Arundel Castle; Die Fahne Hoch!; Marriage of Reason and Squalor; Tomlinson Court Park; Getty Tomb; Arbeit Macht Frei; Club Onyx-Seven Steps; and Bethlehem's Hospital

Signature
All signed, dated and numbered 90/100 in pencil (there were also 9 artist's proofs)
Publisher
Gemini G.E.L., Los Angeles (with their blindstamps)
Frank Stella
American, b. 1936
Follow

Frank Stella, an iconic figure of postwar American art, is considered the most influential painter of a generation that moved beyond Abstract Expressionism toward Minimalism. In his early work, Stella attempted to drain any external meaning or symbolism from painting, reducing his images to geometric form and eliminating illusionistic effects. His goal was to make paintings in which pictorial force came from materiality, not from symbolic meaning. He famously quipped, “What you see is what you see,” a statement that became the unofficial credo of Minimalist practice. In the 1980s and '90s, Stella turned away from Minimalism, adopting a more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs and sculptures based on Herman Melville’s Moby Dick.

Frank Stella

Black Series I, 1967

The complete set of nine lithographs, on J Barcham Green paper, with full margins, contained in the original black portfolio
15 × 22 in
38.1 × 55.9 cm
Edition 90/100 + 9AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Frank Stella
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Minimalism