Frank Stella, ‘Juam, State 1’, 1997, Anders Wahlstedt Fine Art
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Frank Stella

Juam, State 1, 1997

Relief, woodcut, etching, aquatint
78 1/4 × 60 in
198.8 × 152.4 cm
.
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About the work
Provenance
Anders Wahlstedt Fine Art
New York

A Color Trial Proof, thus Unique

Medium
Signature
Signed & dated in pencil, lower right
Publisher
Tyler Graphics
Frank Stella
American, b. 1936
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Frank Stella, an iconic figure of postwar American art, is considered the most influential painter of a generation that moved beyond Abstract Expressionism toward Minimalism. In his early work, Stella attempted to drain any external meaning or symbolism from painting, reducing his images to geometric form and eliminating illusionistic effects. His goal was to make paintings in which pictorial force came from materiality, not from symbolic meaning. He famously quipped, “What you see is what you see,” a statement that became the unofficial credo of Minimalist practice. In the 1980s and '90s, Stella turned away from Minimalism, adopting a more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs and sculptures based on Herman Melville’s Moby Dick.

Frank Stella, ‘Juam, State 1’, 1997, Anders Wahlstedt Fine Art
Save
Save
View
View in room
Share
Share
About the work
Provenance
Anders Wahlstedt Fine Art
New York

A Color Trial Proof, thus Unique

Medium
Signature
Signed & dated in pencil, lower right
Publisher
Tyler Graphics
Frank Stella
American, b. 1936
Follow

Frank Stella, an iconic figure of postwar American art, is considered the most influential painter of a generation that moved beyond Abstract Expressionism toward Minimalism. In his early work, Stella attempted to drain any external meaning or symbolism from painting, reducing his images to geometric form and eliminating illusionistic effects. His goal was to make paintings in which pictorial force came from materiality, not from symbolic meaning. He famously quipped, “What you see is what you see,” a statement that became the unofficial credo of Minimalist practice. In the 1980s and '90s, Stella turned away from Minimalism, adopting a more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs and sculptures based on Herman Melville’s Moby Dick.

Frank Stella

Juam, State 1, 1997

Relief, woodcut, etching, aquatint
78 1/4 × 60 in
198.8 × 152.4 cm
.
Contact For Price
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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Minimalism