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Frank Stella

Singerli Variation III, 1977

Offset lithograph and screenprint in colors on Arches Cover paper
32 × 42 1/5 in
81.3 × 107.2 cm
Edition 33/100
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
HA
Heritage Auctions

Framed: 34.1in x 44.5in x 1in

Framed: 34.1in x 44.5in x 1in

Signature
Signed, dated, and numbered in pencil lower right
Publisher
Petersburg Press, New York
Image rights
Courtesy of Heritage Auctions
Frank Stella
American, b. 1936
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Frank Stella, an iconic figure of postwar American art, is considered the most influential painter of a generation that moved beyond Abstract Expressionism toward Minimalism. In his early work, Stella attempted to drain any external meaning or symbolism from painting, reducing his images to geometric form and eliminating illusionistic effects. His goal was to make paintings in which pictorial force came from materiality, not from symbolic meaning. He famously quipped, “What you see is what you see,” a statement that became the unofficial credo of Minimalist practice. In the 1980s and '90s, Stella turned away from Minimalism, adopting a more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs and sculptures based on Herman Melville’s Moby Dick.

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About the work
Bibliography
HA
Heritage Auctions

Framed: 34.1in x 44.5in x 1in

Framed: 34.1in x 44.5in x 1in

Signature
Signed, dated, and numbered in pencil lower right
Publisher
Petersburg Press, New York
Image rights
Courtesy of Heritage Auctions
Frank Stella
American, b. 1936
Follow

Frank Stella, an iconic figure of postwar American art, is considered the most influential painter of a generation that moved beyond Abstract Expressionism toward Minimalism. In his early work, Stella attempted to drain any external meaning or symbolism from painting, reducing his images to geometric form and eliminating illusionistic effects. His goal was to make paintings in which pictorial force came from materiality, not from symbolic meaning. He famously quipped, “What you see is what you see,” a statement that became the unofficial credo of Minimalist practice. In the 1980s and '90s, Stella turned away from Minimalism, adopting a more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs and sculptures based on Herman Melville’s Moby Dick.

Frank Stella

Singerli Variation III, 1977

Offset lithograph and screenprint in colors on Arches Cover paper
32 × 42 1/5 in
81.3 × 107.2 cm
Edition 33/100
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Frank Stella
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Minimalism