Frank Stella, ‘Untitled (Rabat) from X + X  from Ten Works by Ten Painters’, Rago/Wright
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Frank Stella

Untitled (Rabat) from X + X from Ten Works by Ten Painters

Screenprint in colors
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About the work
Provenance
RW
Rago/Wright

24" x 20" (sheet)

Medium
Print
Publisher
Wadsworth Atheneum, Hartford, Connecticut
Frank Stella
American, b. 1936
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Frank Stella, an iconic figure of postwar American art, is considered the most influential painter of a generation that moved beyond Abstract Expressionism toward Minimalism. In his early work, Stella attempted to drain any external meaning or symbolism from painting, reducing his images to geometric form and eliminating illusionistic effects. His goal was to make paintings in which pictorial force came from materiality, not from symbolic meaning. He famously quipped, “What you see is what you see,” a statement that became the unofficial credo of Minimalist practice. In the 1980s and '90s, Stella turned away from Minimalism, adopting a more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs and sculptures based on Herman Melville’s Moby Dick.

Frank Stella, ‘Untitled (Rabat) from X + X  from Ten Works by Ten Painters’, Rago/Wright
Save
Save
Share
Share
About the work
Provenance
RW
Rago/Wright

24" x 20" (sheet)

Medium
Print
Publisher
Wadsworth Atheneum, Hartford, Connecticut
Frank Stella
American, b. 1936
Follow

Frank Stella, an iconic figure of postwar American art, is considered the most influential painter of a generation that moved beyond Abstract Expressionism toward Minimalism. In his early work, Stella attempted to drain any external meaning or symbolism from painting, reducing his images to geometric form and eliminating illusionistic effects. His goal was to make paintings in which pictorial force came from materiality, not from symbolic meaning. He famously quipped, “What you see is what you see,” a statement that became the unofficial credo of Minimalist practice. In the 1980s and '90s, Stella turned away from Minimalism, adopting a more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs and sculptures based on Herman Melville’s Moby Dick.

Frank Stella

Untitled (Rabat) from X + X from Ten Works by Ten Painters

Screenprint in colors
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Frank Stella
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Minimalism