Frank Stella, ‘York Factory II’, 1974, Christie's

Signed and dated in pencil, numbered 91/100 (there were also 20 artist's proofs), published by Gemini G.E.L., Los Angeles, with their blindstamps and insktamp on the reverse, with full margins, in very good condition, framed
Image: 14 ½ x 40 3/8 in. (368 x 1026 mm.)
Sheet: 18 ½ x 44 3/8 in. (470 x 1127 mm.)

Axsom 94; Gemini 567

About Frank Stella

Frank Stella, an iconic figure of postwar American art, is considered the most influential painter of a generation that moved beyond Abstract Expressionism toward Minimalism. In his early work, Stella attempted to drain any external meaning or symbolism from painting, reducing his images to geometric form and eliminating illusionistic effects. His goal was to make paintings in which pictorial force came from materiality, not from symbolic meaning. He famously quipped, “What you see is what you see,” a statement that became the unofficial credo of Minimalist practice. In the 1980s and '90s, Stella turned away from Minimalism, adopting a more additive approach for a series of twisting, monumental, polychromatic metal wall reliefs and sculptures based on Herman Melville’s Moby Dick.

American, b. 1936, Malden, Massachusetts, based in New York and Rock Tavern, New York