Gabriel Hartley, ‘Pout’, 2010, Phillips

Property Subject to VAT Section 2; Property Subject to Artist's Resale Right (see Conditions of Sale for further information)

Signature: titled, dated and signed '"Pout" 2010 Gabriel Hartley' on the reverse

New York, Foxy Productions, Gabriel Hartley, 9 September - 16 October 2010
London, Saatchi Gallery, Newspeak: British Art Now, 30 May - 17 October 2010 and 27 October - 30 April 2011

Foxy Productions, New York
Acquired from the above by the present owner in 2010

About Gabriel Hartley

Gabriel Hartley professes to “think about painting in a sculptural way,” as illustrated by his canvases on which “the paint becomes a material like plaster,” as he describes. Characterized by optical effects, bold linear brushstrokes, impasto, and elemental forms, Hartley’s paintings are notable for fusing dichotomies: depth and flatness, gloss and matte, painterly and photographic, and two- and three-dimensionality. For instance, in creating Pout (2010)—a gray-scale abstract painting referencing African masks and early Modernism’s experimentation with abstraction and perspective—Hartley added spray paint to the oil-based image to “give a light source and show the different excavations within the paint.” He works in the tradition of early-20th-century British painters including Duncan Grant, Vanessa Bell, and Roger Fry, as well as the post-war Abstract Expressionists.

British, b. 1981, London, United Kingdom, based in London, United Kingdom