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Folha seca de palmeira #2, 2017-2018

Coloured pencil on paper (Heritage Wood Free, 315gsm, John Purcel), cotton yarn and brown nails
21 3/10 × 29 1/2 in
54 × 75 cm
This is a unique work.
location
Lisboa
About the work
Image rights
Courtesy by the artist and Galeria Vera Cortês
Gabriela Albergaria
Portuguese, b. 1965
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Gabriela Albergaria uses photography, drawing, installations, and sculptures to explore the subject of gardens and trees, and their histories. In works such as Fictional Landscape… (2011), which fused drawings and prints into a fragmented snapshot of a garden, Albergaria transforms the natural world to reflect her own subjective experience of landscape. During a residency at the University of Oxford Botanic Garden, she produced Dead Tree (Waiting) (2010-), an installation consisting of a shingle oak buried up to the base of its crown and left to rot in situ.

Save
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view
View in room
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Save
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view
View in room
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About the work
Image rights
Courtesy by the artist and Galeria Vera Cortês
Gabriela Albergaria
Portuguese, b. 1965
Follow

Gabriela Albergaria uses photography, drawing, installations, and sculptures to explore the subject of gardens and trees, and their histories. In works such as Fictional Landscape… (2011), which fused drawings and prints into a fragmented snapshot of a garden, Albergaria transforms the natural world to reflect her own subjective experience of landscape. During a residency at the University of Oxford Botanic Garden, she produced Dead Tree (Waiting) (2010-), an installation consisting of a shingle oak buried up to the base of its crown and left to rot in situ.

Folha seca de palmeira #2, 2017-2018

Coloured pencil on paper (Heritage Wood Free, 315gsm, John Purcel), cotton yarn and brown nails
21 3/10 × 29 1/2 in
54 × 75 cm
This is a unique work.
location
Lisboa
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