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Gabriela Albergaria uses photography, drawing, installations, and sculptures to explore the subject of gardens and trees, and their histories. In works such as Fictional Landscape… (2011), which fused drawings and prints into a fragmented snapshot of a garden, Albergaria transforms the natural world to reflect her own subjective experience of landscape. During a residency at the University of Oxford Botanic Garden, she produced Dead Tree (Waiting) (2010-), an installation consisting of a shingle oak buried up to the base of its crown and left to rot in situ.

Selected exhibitions
2019
Nature's Afterlives: Gabriela Albergaria and Jorge Otero-PailosSapar Contemporary
“…an adventure in which humans are only one kind of participant…”Galeria Vera Cortês
2017
Substance and IncreaseSapar Contemporary
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Redwoods 574, 2016-2019

Ink jet print on rag, color pencil on paper (Heritage Woodfree Bookwhite 315 gsm)
37 1/4 × 39 3/8 in
94.6 × 100 cm
.
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Location
New York, Miami, Dallas
Certificate
This work includes a certificate of authenticity.
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Medium
Signature
Hand-signed by artist
Certificate of authenticity
Included
Frame
Included

Gabriela Albergaria uses photography, drawing, installations, and sculptures to explore the subject of gardens and trees, and their histories. In works such as Fictional Landscape… (2011), which fused drawings and prints into a fragmented snapshot of a garden, Albergaria transforms the natural world to reflect her own subjective experience of landscape. During a residency at the University of Oxford Botanic Garden, she produced Dead Tree (Waiting) (2010-), an installation consisting of a shingle oak buried up to the base of its crown and left to rot in situ.

Selected exhibitions (3)
Other works by Gabriela Albergaria
Other works from Sapar Contemporary
Related artists