Laser exposed (LAMBDA) c-print from a camera-less dye-destruction print created using oil, water and light. From an edition of three. Price rises through the edition so the current price is subject to change through prior sale, although we will strive to keep it updated. Price displayed includes framing, excludes VAT or other applicable taxes or shipping. All works produced on this scale are in editions of three. Similar unique small-scale works are also available from this artist. Works are released either as unique objects or editions, never both.
Signature: Signed, titled, numbered and dated on an artwork label frame verso
Exhibited in 'Seeing Round Corners' Sat 21 May - Sun 25 Sep, 2016, at Turner Contemporary, Margate, UK
From the studio of the Artist
About Garry Fabian Miller
Best known for the camera-less photographs that have been his primary output since the 1980s, Garry Fabian Miller shot landscape photography in his early work, capturing the subtle tonal variations of blues and greys in his series “Sea Horizons of England,” which he took from a fixed point overlooking the Severn Estuary in England. Since developing his camera-less practice, he has drawn on antiquated photography techniques, producing abstract images in the darkroom by shining light through colored glass vessels and over cut-paper shapes to create forms. Often consisting of two contrasting colors in concentric rectangles or divided horizontally, Miller’s photographs radiate light. His circular forms, such as the vibrant red one in Becoming Magma I, June 2004, evoke planetary or cosmic bodies. “The pictures I make are of something as yet unseen, which may only exist on the paper surface, or subsequently may be found in the world,” he has said. “I am seeking a state of mind which lifts the spirit, gives strength and a moment of clarity.”
British, b. 1957, Bristol, United Kingdom, based in Dartmoor, United Kingdom