Georg Baselitz, ‘Sitzender Akt’, 1976, Daniel Blau
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Georg Baselitz

Sitzender Akt, 1976

Ink, charcoal, watercolour, "Silberbronze" on hand made paper
30 3/5 × 20 9/10 in
77.6 × 53.2 cm
Location
London, 80539 München, Munich
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About the work
DB
Daniel Blau
London, 80539 München, +1 more
Medium
Image rights
© Georg Baselitz Courtesy: Daniel Blau Munich/London
Georg Baselitz
German, b. 1938
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Counting among his influences Art Brut, Art Informel, and Abstract Expressionism, as well as artists Edvard Munch and Wassily Kandinsky, German artist Georg Baselitz’s work is characterized by expressionistic mark-making and unrefined, even grotesque, figurative depiction. Working in painting, drawing, printmaking, and monumental wood sculpture, Baselitz often addresses issues related to German national identity post-World War II, particularly the role of German artists. Along with Anselm Kiefer, Baselitz was chosen to represent Germany at the 1980 Venice Biennale, exhibiting a monumental wooden sculptural figure that appeared to be making a Nazi salute, causing an eruption of controversy and bringing the question of contemporary German identity to the fore. Baselitz is closely associated with fellow artists A.R. Penck and Eugen Schöenbeck, who demonstrate similar stylistic tendencies and emphasis on subject matter rather than strict abstraction.

Georg Baselitz, ‘Sitzender Akt’, 1976, Daniel Blau
Save
Save
View
View in room
Share
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About the work
DB
Daniel Blau
London, 80539 München, +1 more
Medium
Image rights
© Georg Baselitz Courtesy: Daniel Blau Munich/London
Georg Baselitz
German, b. 1938
Follow

Counting among his influences Art Brut, Art Informel, and Abstract Expressionism, as well as artists Edvard Munch and Wassily Kandinsky, German artist Georg Baselitz’s work is characterized by expressionistic mark-making and unrefined, even grotesque, figurative depiction. Working in painting, drawing, printmaking, and monumental wood sculpture, Baselitz often addresses issues related to German national identity post-World War II, particularly the role of German artists. Along with Anselm Kiefer, Baselitz was chosen to represent Germany at the 1980 Venice Biennale, exhibiting a monumental wooden sculptural figure that appeared to be making a Nazi salute, causing an eruption of controversy and bringing the question of contemporary German identity to the fore. Baselitz is closely associated with fellow artists A.R. Penck and Eugen Schöenbeck, who demonstrate similar stylistic tendencies and emphasis on subject matter rather than strict abstraction.

Georg Baselitz

Sitzender Akt, 1976

Ink, charcoal, watercolour, "Silberbronze" on hand made paper
30 3/5 × 20 9/10 in
77.6 × 53.2 cm
Location
London, 80539 München, Munich
Want to sell a work by this artist? Consign with Artsy.
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