George Condo, ‘Untitled’, 1983, Phillips
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George Condo

Untitled, 1983

Watercolor and gouache on rag paper
8 × 11 1/2 in
20.3 × 29.2 cm
Bidding closed
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About the work
Provenance
P
Phillips

Property from the Collection of David Bowes

Medium
Drawing, Collage or other Work on Paper
Signature
Signed and dated "CONDO 83" lower left
George Condo
American, b. 1957
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George Condo’s work is populated by a cast of characters whose bulging eyes, bulbous cheeks, proliferating limbs, and hideous over- and under-bites set them apart as a singular species. Drawing on vastly diverse painting practices—like Pablo Picasso, Diego Velázquez, Henri Matisse, and Cy Twombly—Condo absorbs a vast range of art-historical sources, yet, at the same, creates a pictorial language characteristically his own, one that investigates the macabre, the carnivalesque, and the abject. He calls his surrealistic style “psychological cubism”, exploiting “our own imperfections—the private, off-moments or unseen aspects of humanity—that often give way to some of painting’s most beautiful moments.” Even Condo’s most abstract works, like Internal Space (2005) with its impenetrable geometric scaffolding of forms radiating from the painting’s center, explore the furthest extremes of the human psyche.

George Condo, ‘Untitled’, 1983, Phillips
Save
Save
View
View in room
Share
Share
About the work
Provenance
P
Phillips

Property from the Collection of David Bowes

Medium
Drawing, Collage or other Work on Paper
Signature
Signed and dated "CONDO 83" lower left
George Condo
American, b. 1957
Follow

George Condo’s work is populated by a cast of characters whose bulging eyes, bulbous cheeks, proliferating limbs, and hideous over- and under-bites set them apart as a singular species. Drawing on vastly diverse painting practices—like Pablo Picasso, Diego Velázquez, Henri Matisse, and Cy Twombly—Condo absorbs a vast range of art-historical sources, yet, at the same, creates a pictorial language characteristically his own, one that investigates the macabre, the carnivalesque, and the abject. He calls his surrealistic style “psychological cubism”, exploiting “our own imperfections—the private, off-moments or unseen aspects of humanity—that often give way to some of painting’s most beautiful moments.” Even Condo’s most abstract works, like Internal Space (2005) with its impenetrable geometric scaffolding of forms radiating from the painting’s center, explore the furthest extremes of the human psyche.

George Condo

Untitled, 1983

Watercolor and gouache on rag paper
8 × 11 1/2 in
20.3 × 29.2 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by George Condo